"There is no missing link in the evolution theory, as laid down in Keely's pure philosophy. Inasmuch as the Father of all is Himself a Spiritual Being, cosmical law leads us to expect that the type of created being, His offspring, shall be spirit also. Nor can Being in any object be so attenuated, or so far removed from Him who filleth all in all, but it must surely retain an aura of His spiritual nature. The corner-stone of this philosophy is one power, one law; order and method reigning throughout creation; spirit controlling matter, as the Divine order and law of creation that the spiritual should govern the material - that the whole realm of matter should be under the dominion of the world of spirit. Nor is this a new truth. According to Diogenes Laertius, Thales taught that souls are the motive forces of the universe." [True Science]
"The economy of creation is not regarded in this philosophy as a theory of development all in one direction; but as a cycle in which, after development, and as its fruit, the last term gives again the first. Herein is found the link by which the law of continuity is maintained throughout - the link which is missing in the popular science of the day; with this very serious consequence that, to keep the break out of sight, the entire doctrine of spirit and the spiritual world is ignored or altogether denied". [True Science]
"The corner-stone of this philosophy is one power, one law; order and method reigning throughout creation; spirit controlling matter, as the Divine order and law of creation that the spiritual should govern the material - that the whole realm of matter should be under the dominion of the world of spirit." [More Science]
"If matter without form preceded creation of energy, it was only when life was given that the atoms became grouped in individualities through their intrinsic properties. The hypothesis of Macvicar and demonstrations of Keely pivot on the law of assimilation "providing at once for the free and the forced ... for mind and matter, and placing them ... in relationship." This law is summarized as "Every individualized object ... assimilates itself to itself in successive moments of its existence and all objects tend to assimilate one another." In its own nature, matter is wholly plastic or devoid of fixed innate properties wholly assimilative - both with respect to its own portions and to surrounding objects, as well as its position in space and insofar as it is capable, to the mind of its Creator. In the ether are constructed groups of ethereal elements generating material elements." [Snell Manuscript - The Book, page 2]
"The science of music is the knowledge of how Nature proceeds in this beautiful region of creation in which so much of pleasure for mankind is found, and meet expression for the praise of God. "Music hath charms to soothe the savage beast;" how much more to gratify the civilized and educated ear; to stir with inspiration the prophetic gift; to comfort the troubled heart; and to draw forth the best feelings of our nature." [Scientific Basis and Build of Music, page 20]
The mathematical scales, if followed out regardless of other laws which rule in music, would read like a chapter in Astronomy. They would lead us on like the cycles of the moon, for example. In 19 years we have 235 moons; but the moon by that time is an hour and a-half fast. In 16 such cycles, or about 300 years, the moon is about a day fast; this, of course, is speaking roughly. This is the way seemingly through all the astronomical realm of creation. And had we only the mathematical ratios used in generating the notes of the scale as the sole law of music, we should be led off in the same way. And were we to follow up into the inaudible region of vibrations, we should possibly find ourselves where light, and heat, and chemical elective motions and electric currents are playing their unheard harmonies; or into the seemingly still region of solid substances, where an almost infinite tremor of vibrations is balancing the ultimate elements of the world. Music in this case would seem like some passing meteor coming in from among the silent oscillations of the planetary bodies of the solar system, and flashing past with its charming sound effects, and leaving us again to pass into the higher silence of those subtle vibrations to which we have referred, having no infolding upon itself, no systematic limit, no horizon. But music is not such a passing thing. Between the high silence of these intense vibrations, and the low silence of oscillating pendulums and revolving planets, God has constituted an audible sphere of vibrations, in which is placed a definite limit of systematic sounds; seven octaves are carried like a measuring line round twelve fifths; and motion and rest unite in placing a horizon for the musical world, and music comes [Scientific Basis and Build of Music, page 39]
Duality - that is, two-ness - is a general feature of Creation. It is the law of sex all through the animal and vegetable worlds. It is beautifully expressed in the response of Parallelism in poetry, especially the Eastern poetry so fully illustrated in the Holy Scriptures: [Scientific Basis and Build of Music, page 41]
Such is the economy of Nature, that from one system of proportions employed in two ways - in the one case as periods of vibrations, and in the other case as quantities of strings - everything in music is derived. The numbers which are the periods in the one are the numbers which are the quantities in the other. And abundantly throughout Creation reigneth the Law of Duality, which thus reigneth here in this region of most perfect response.2[Scientific Basis and Build of Music, page 44]
which seems to show that not only has one part of a vibrating string sympathy with another part of it so as to go into harmonic partials, as we have just seen, but as if the very air itself had sympathy with harmoniously vibrating strings; for Tartini observed that two harmonious sounds being produced and sustained as they can be, for example, by a strong bow on the violin, a third sound will be heard. Tartini's name for it was simply "a third sound." This is not an overtone, as Helmholtz has called the harmonic partials of one sounding string, but an undertone, because it is a "grave harmonic," away below the sounds of the two strings which awaken it. The subject of these undertones has been carefully studied since Tartini's day, and more insight has been obtained since we are now able to count and register the vibration of any musical sound. Helmholtz has called these third sounds of Tartini's "difference sounds," because when awakened by two strings, for example, the vibration-number of the third tone is the difference of the vibrations-numbers of the two tones which awaken it. The note C with vibration-number 512, and another C whose vibration-number is 256, the octave, awakened no third sound, because there is no difference between the two numbers - the one is just the doubled or halved; but if we take C256 and G381, its fifth, the difference number is 128; this being a low octave of C256, it has the effect of strengthening the upper one. Helmholtz found this to be the law of the third sound as to its producing, and the effect of it when produced. This third sound, mysteriously arising in the air through the sympathy it has with all concordant things, is another among many more suggestions that the whole Creation is measured and numbered to be in sympathy one part with another. The Creation is a universe. [Scientific Basis and Build of Music, page 60]
This great genetic scale, the all-producer, the all-container, extends over six octaves on each side; for it is not till high in the sixth octave we get B in the major, and it is not till low in the sixth octave that we get F in the minor. It is in the fifth octave, however, that the note which is the distinctive mark of the masculine and feminine modes is generated. D27 in the major, and D26 2/3 in the minor, distinguishes the sex of the modes, and shows which is the head and which the helpmeet in this happy family.2 On the major side F, the root of the subdominant chord, that is the chord which is a fifth below the key-note C, is the root of all. This is the beginning of this creation. If we call the vibration-number of F one, for simplicity's sake, then F1 is multiplied by 3 and by 5, which natural process begets its fifth, C, and its third, A; this is the root, top, and middle of the first chord. From this top, C3, grows the next chord by the same natural process, multiplying by 3 and by 5; thus are produced the fifth and third of the second chord, G and E. From the top of this second chord grows the third and last chord, by the repetition of the same natural process; multiplying G9 by 3 and by 5 we [Scientific Basis and Build of Music, page 66]
Now we come to a remarkable arrangement of Nature. The minor does not grow in the same way out of this third chord's top. Two features come before us: first the minor chord grows out of the major, but it is taken not from the top but from the middle, from a rib out of his side. B, the middle of the major dominant chord; B, the last-born of the major genesis; B is the point of departure in the outgrowth of the minor mode. The feminine is a lateral growth from the masculine. Another feature: it grows downward, like a drooping ash or willow. Its first generated chord is its dominant, and its last is its subdominant. Its middle chord, like the middle one of the major, is its tonic. Still further, it is generated by division, not multiplication; B45 is divided by 3 and by 5 for the root and middle of this highest chord, E and G. E15 is divided by 3 and 5 for the root and middle of the tonic chord, A and C. A5 is divided by 3 and 5 for the root and middle of the lowest chord, D and F. Thus we have the whole generation of the elements of music, six generations of harmony, like the six days of creation. Up to this point the whole process and aspect is inverse; growing from a middle; growing downward; growing by division;- while the major is growing from the top; growing upward; growing by multiplication. But here the inverse aspect ends. The generating primes of the major are 3 and 5; 3 and 5 are also the generating primes of the minor. In this essential phase of their creation their comparison is direct, not inverse. [Scientific Basis and Build of Music, page 67]
Why do we compound? Because it produces variety, and variety is one of the aspects of the beautiful; Nature loves and abounds in variety, without violation of her unity. And further, all creation throbs with sympathy, one thing feeling and tending toward another, nothing content in isolation; and compound chords are chords reaching out after assimilation to an affiliation with other adjacent chords, that they may be able, through something in [Scientific Basis and Build of Music, page 70]
common, to mingle with more chord-society. So those added thirds which constitute compound chords are like accomplishments acquired for this end, and they make such chords exceedingly interesting. The dominant assumes the root of the subdominant, and so becomes the dominant seventh that it may be affiliated with the subdominant chords. Inversely, the subdominant assumes the top of the dominant chord that it may be affiliated with the dominant. The major tonic may exceptionally be compounded with the top of the minor subdominant when it comes between that chord and its own dominant; and the minor tonic may in the same way assume the root of the major dominant when it comes between that chord and its subdominant. The minor subdominant D F A, and the major dominant G B D, are too great strangers to affiliate without some chord to introduce them; they seem to have one note in common, indeed, but we know that even these two D's are a comma apart, although one piano-key plays them both, and the F G and the A B are as foreign to each other as two seconds can be, each pair being 9 commas apart, and G A are 8 commas apart. In this case, as a matter of musical courtesy, the tonic chord comes in between; and when it is the minor subdominant that is to be introduced, the major tonic assumes the top of that chord, and then turns to its own major dominant and suavely gives the two to enter into fellowship; for the tonic received the minor subdominant through its semitonic E F, and carries it to the major dominant through its semitonic B C, along with C in common on the one side and G in common on the other. When it is the major dominant that is to be introduced to the minor subdominant the minor tonic fulfills the function, only the details are all reversed; it assumes the root of dominant, and by this note in common, and its A in common with its own subdominant, along with the semitonic second B C on the one hand and the semitonic E F on the other, all is made smooth and continuous. The whole of this mediatorial intervention on the part of the tonic is under the wondrous law of assimilation, which is the law of laws all through creation; but when the tonic chord has fulfilled this graceful action, it immediately drops the assumed note, and closes the cadence in its own simple form.1 [Scientific Basis and Build of Music, page 71]
Helmholtz falls into a mistake when he says- "The system of scales and modes, and all the network of harmony founded on them, do not seem to rest on any immutable laws of Nature, but are due to the aesthetical principle which is constantly subject to change, according to the progressive development of taste." It is true, indeed, that the ear is the last judge; but the ear is to judge something which it does not create, but simply judges. Nature is the maker of music in its scales and modes. The styles of composition may vary with successive generations, and in the different nations of men; but the scientific basis of music is another thing. It is a thing, belonging to the aesthetic element of our being and our environment; it is under the idea of the beautiful, rather than the idea of the useful or the just; but all these various aspects of our relation to creation have their laws which underlie whatever changes may be fashionable at any period in our practice. If the clang-farbe of a musical tone, that is, its quality or timbre, depends on the number and comparative strength of the partial tones or harmonics of which it is composed, and this is considered to be the great discovery of Helmholtz, it cannot be that the scales and modes are at the caprice of the fickle and varied taste of times and individuals, for these partials are under Nature's mathematical usages, and quite beyond any taste for man's to change. It is these very partials or harmonics brought fully into view as a system, and they lead us back and back till they have brought us to the great all-prevading law of gravitation; it is these very partials, which clothe as an audible halo every musical sound, which constitute the musical system of sounds. [Scientific Basis and Build of Music, page 78]
The simple natural scale is the fifth; the compound natural scale is the octave; the harmony scale, or chord-scale, is the three fifths; the great genetic scale is six octaves; for, like the six creation days, it takes the six octaves to give birth to the elements of which the wondrous structure of our music is built up; the birthplace of B, the seventh of the octave scale, is the sixth octave of the great genetic scale. The area of the twelve major and twelve minor scales is twelve fifths or seven octaves, the twelfth fifth being a comma and the apotome minor in advance of the seventh octave. This is a quantity so small that it can be ignored in real music; and the two notes, say E# and F, joined to close the circle of this horizon of our music world. E# is the top of the twelfth fifth, and F is the top of the seventh octave; and they are practically, though not exactly mathematically, the same note. Illustrations of this will be found among the plates of this work. [Scientific Basis and Build of Music, page 79]
The scheme endeavours to prove that the development of harmonies of sound and of colours is regulated by the law of Evolution as gained from the Scriptures
—Youthful impressions regarding my great-uncle Dr. Darwin's views
—My cousin Charles Darwin's views touched upon
—The scheme involves the belief that life developing from the Almighty is the general key to disentangle the intricacies of the Natural Sciences
—A remark of Sir John Lubbock's quoted
—The development of Numbers, the stream of Time, the Sevens of Creation, &c., may eventually be proved to proceed by the same laws, . . . . . . . 9 [Harmonies of Tones and Colours, Table of Contents1 - Harmonies]
The following scheme endeavours to show that the development of the musical gamut and the colours of the rainbow are regulated by the same laws. I wish it to be clearly understood that I have gained the evolutions from the mysterious type of Life—a golden thread running throughout the Scriptures, from the first chapter of Genesis to the last of Revelation;—life developing around us and within us from the Almighty, who is its Eternal Fountain. My youthful impressions included the belief that the views of Dr. Darwin, my great-uncle, contradicted the teaching of the Scriptures, and I therefore avoided them altogether. Having endeavoured for years to gain correctly the laws which develope Evolution, I suddenly discovered that I was working from Scripture on the same foundation which he had found in Creation; and as Creation and Revelation proceed from the same Author, I knew that they could not contradict each other. It is considered by many that my cousin, Charles Darwin, gained his first ideas of Evolution from his grandfather's works; but I know from himself that he was ignorant of them, and that his theory of Evolution was arrived at by his close experiments and observations of the laws of creation alone. Only a few months since, after reading his work on "the Movements of Plants," published in 1881, and wishing to be certain that I had not an incorrect belief, I asked the following question—"Did you gain your views on Evolution by your wonderfully acute observations, ignorant of your grandfather's ideas?" The reply was, that he had done so entirely from his own observations. [Harmonies of Tones and Colours, Introduction1 - Harmonies, page 9]
If health is still granted to me, and if an interest is created on the subject of these pages, I shall endeavour to explain by what means I gained the laws here described, and to enter upon the development of numbers as showing the stream of time ever falling into infinity, and gliding onwards; also the sevens in creation, with several other branches of the subject which are here untouched, or but briefly alluded to. It is my earnest desire that all may be closely examined. Indifference will grieve me, but even severe criticism will afford me pleasure, as proving that the subject is considered worthy of investigation. [Harmonies of Tones and Colours, Introduction2 - Harmonies, page 10]
There is much paradox, and the scheme differs so much from any hitherto published on the subject, that I am aware that, if any link can be found to be wanting in the chain, the defect will immediately be seized upon. I believe, however, that it will be found to admit of clear demonstration. Anyone who has studied the subject knows the difficulties that arise on all sides. In the problem before us, we have to reduce large fields of thought to certain elementary truths. In my endeavour to do this, I have been entirely dependent upon the discovery of the laws of Nature, as my ear is not musical enough to assist me in the matter. "All mysteries are either truths concealing deeper truths, or errors concealing deeper errors," and thus, as the mysteries unfold, truth or error will show itself in a gradually clearer light. The great mystery of music lies in its infinite resources; it teems with subtle elements and strange analogies. A musical note may be compared to a machine: we touch the spring and set the machine in motion, but the complex machinery exists beforehand, quite independent of our will; the motive power is not of our creation, and the laws on which its operation depends are superior to our control. The complex work of harmony is governed by the laws which are originated by the Creator; every note performs what He has willed, and in tracing these laws let us not be indifferent about their Author, but ever bear in mind that the source or fountain of the life and activity of harmonies arises from the Power who created the machine, and who knows how it will act. Let us also remember that we understand this machine but partially, and govern it but imperfectly, as indeed the finite can only, in a small measure, grasp the Infinite; and in any [Harmonies of Tones and Colours, The Method of Development or Creation of Harmonies1, page 15]
DIAGRAM III.—MAJOR KEY-NOTES DEVELOPING BY SEVENS. "Creation is the realization of Divine Thought."::
Harmonies of Tones and Colours, Diagram III - The Major Keynotes Developing by Sevens, page 25a]
With our present powers the darkness of ignorance is ever groping after the light of knowledge. If the field is so vast when we merely attempt to harmonise the laws which regulate the visible creation, it widens indefinitely when we attempt to harmonise, by the same laws, Creation with the Scriptures. "God is light," and with His Holy Spirit for our teacher, every line of His word instructs us; "like the ocean, the word remains essentially the same, while the light never plays upon its surface without deepening and varying its hues." [Harmonies of Tones and Colours, Reflections on the Scheme1, page 43]
I gladly confess that my ruling wish has been to feel my own ignorance deeply, and to trust to the Divine Teacher that my eyes might be opened to see more and more the wonders which may be drawn from the Scriptures, when scientific minds are led to the belief that Creation and Revelation explain each other. As this conviction gains ground, scientific truths will make a more rapid progress, and "the generalisation of Science will no longer be doubtful, but assured." [Harmonies of Tones and Colours, Reflections on the Scheme4, page 46]
If the foregoing harmonies of sound and of colour have been rightly developed from the Scriptures, I trust they will be considered as steps gained towards the belief that Evolution is the law of the Almighty for the continuance of activity throughout the universe, and towards an increasing study of Creation and Revelation as mutually explaining each other. According to my belief, the Scriptures must be based on the principle which is explained of keyed instruments at the conclusion of Chapter II. In the development of musical harmonies the beginning and the ending are unfathomable. It is the same in the Scriptures. No musical note or colour can be separated from those below and above it. Neither can any portion of the Bible be separated: every part embraces the past, [Harmonies of Tones and Colours, Reflections on the Scheme4, page 46]
The Minor Scales are the type of Creation developing, when no Sabbath (or Rest) was required; and we now see this re-echoed throughout the world around us, nothing resting on the Sabbath. A Minor Scale, therefore, cannot sound the [Harmonies of Tones and Colours, Supplementary Remarks and Diagrams, page 53]
sixth note, which would be Creation perfected, without entering upon the fifth higher key; and it cannot sound the seventh falling into the octave without discord. Therefore the eighth note is not the octave of the first, as it is the fourth note of the fifth higher key. [Harmonies of Tones and Colours, Supplementary Remarks, page 54]
The Major Scales are the type of Creation perfected—man being created, and the Almighty resting—every Major Scale developing the sixth and seventh notes, and the eighth the octave of the first. Therefore, every Major Scale includes the Sabbath, or Rest. [Harmonies of Tones and Colours, Supplementary Remarks, page 54]
If, as I believe, the Natural Sciences throughout Creation develope by Trinities, how silently, yet how strikingly, may we trace the wonders of Redeeming Love. "Wisdom hath builded her house; she hath hewn out her seven pillars."— Prov. ix. I. We strikingly see in the development of harmonies the type of 2 Cor. iii. 18, as each key rises from darkness to light, or, descending, falls from light to darkness.
F. J. Hughes
SANDOWN, ISLE OF WIGHT,
February, 1885 [Harmonies of Tones and Colours, Supplementary Remarks, page 54]
Q- The first problem concerns the reason for creation. Should this be given as God's desire to experience Himself, God's desire for companionship, or in some other way?
A- God's desire for companionship and expression. [Cayce 5749-14]
Dialogue on Awakening
"There is nothing created by God, which is the expression and the extension of the Mind of God, that is changeable." Dialogue on Awakening, 3rd edition, pg 150 see Christ Consciousness
"It would be appropriate for me to give you a different understanding as to what happens when one asks for guidance. As we have discussed before, there is the Mind which expresses God which I have called the Christ. Within this Mind of the Christ, resides the truth of God. That truth is, in its essence, entirely whole. Its wholeness is expressed by each unique and individual expression which resides in it. But each expression knowing itself will only express this truth in a slightly different fashion. This expression of truth, in an infinite number of ways, is what is called the movement of Creation." Dialogue on Awakening, 1st edition, pg 117 see Christ Consciousness
"Desire of Mind is the motivating force which energizes all Creation through the universal heartbeat of concentrative-decentrative thought pulsations. Likewise, YOU cannot create bodies without the desire to do so. YOUR desire is YOUR motivating force. The physical term for spiritual Mind-desire is GRAVITY. " [Home Study Course, Unit 8, Lesson 31, page 604]
"The supreme effort of this book is to have you comprehend that Creation is a division of The Eternal One into countless twos of sex-conditioned opposites, which eternally seek to void their division by uniting as One.
"Creation is a Mind-imagined journey of electrically divided male and female opposites in increasingly greater speed and power in the direction of each other, where they unite in rest to re-divide, and return with ever increasing speed and decreasing power, to the zero of rest in the Magnetic Light of Mind from which they sprang into action. Creation is an illusion which stimulates substance by multiplying the speed of centripetal motion, and loses its appearance of substance by multiplying its centrifugal speed. If we prove this new state of facts to be in accord with Nature's plan, it will obviously be necessary to have very different concepts of the Nature of the universe than those concepts which are now held by man." [Atomic Suicide, page 83]
"Creation consists of the invisible universe of Mind, which Jesus called heaven and man calls space, and the visible universe of motion, which man calls matter and substance." [Atomic Suicide, page 235]
"If out of the material portion of the ether, by virtue of the inherent restlessness of its particles, the forms of worlds and their species of plants and animals can be evolved, why, out of the spiritual part of the ether, should not successive races of beings, from the stage of monad down to that of man, be developed; each lower form unfolding a higher one until the work of evolution is completed on our earth, in the production of immortal man?" [Isis Unveiled, H.P Blavatsky (Volume 1)]
Christ Returns - Speaks His Truth
"I was brought to a realization of the INFINITE POWER of the 'Intelligent Creativity' ever active within creation, maintaining order, co-operation, harmony, daily productivity, unequalled by man anywhere, at any time." [Christ Returns - Speaks His Truth, Letter 1, page 15]
"If this was so, how could there not be survival of the eternal flame of: Loving Intelligent Creative Power hidden within the created entities of every kind in the universe? Therefore, this world was but a shadow and image of the hidden worlds of Loving Intelligent Creative Power beyond this dimension. The Reality of the entirety of creation lay beyond this visible world." [Christ Returns - Speaks His Truth, Letter 1, page 15]
"This must surely be the true goal behind creation, I thought. And it came to me with a surge of elation and loving joy, that this was the purpose for which man had been evolved and developed!" [Christ Returns - Speaks His Truth, Letter 1, page 16]
"I felt immense excitement because, at last, I would be able to understand how it was that such a loving Divine 'Creative Power' could allow Its creation to endure such misery." [Christ Returns - Speaks His Truth, Letter 1, page 17]
"(However, at the moment of creation, two BASIC IMPULSES came into being, ensuring individuality, and it was these which controlled mankind's consciousness.
These IMPULSES were explained to me in detail but this knowledge is reserved for a future Letter when you will be better able to understand it) ................................ ." [Christ Returns - Speaks His Truth, Letter 1, page 17]
I was shown that every living thing in creation should be radiantly healthy, cared for, nourished, protected, healed, maintained in peace and plenty, prospered within an orderly society of 'beings' extending only love to each other.
(However, at the moment of creation, two BASIC IMPULSES came into being, ensuring individuality, and it was these which controlled mankind's consciousness." [Christ Returns - Speaks His Truth, Letter 1, page 21]
"The Law of 'Cause and Effect', 'Reaping and Sowing' is the visible effect of what you call 'electromagnetism', and no one who has any knowledge of science would expect 'God' to set aside the laws of electromagnetism, which are those of 'activity-bonding-rejection'.
'Activity-Bonding-Rejection' or 'Movement-Attraction-Repulsion' are the fundamental IMPULSES of EXISTENCE and of HUMAN CONSCIOUSNESS itself, which have brought about your visible forms in life, and are the only 'instruments' or 'tools' of creation. They are responsible for the formation of substance or 'matter' and also for the development of individualised forms and finally of personality itself in all living entities." [Christ Returns - Speaks His Truth, Christ Letters - Letter 3, page 1]
'If you could carry within your mind, a seed - the perfected plan of your most heartfelt goals, and know beyond all doubt, that it can grow and come into perfect fruition, you would see this wonderful seed take on a life of its own which would presently manifest in your life.
'And you could surely move the mountains in your lives - those mountains which stand across your path and prevent you from achieving all that you would like ... mountains which, in times of recklessness and evil thinking have been created by yourselves.
'If you only understood creation and existence, you would be able to live lives of total freedom, limitless achievement and transcendent joy. [Christ Returns - Speaks His Truth, Letter 3, page 65]
"The DIVINE INTENTION of UNIVERSAL CONSCIOUSNESS was to express ITs own wholeness through creationby individualising, in physical form, each of the two equally balanced aspects of ITSELF and then bringing them together again in physical form, to experience the unity and wholeness of DIVINE CONSCIOUSNESS from which they originally took their individuality.
As they come together in love and unity of spirit and body, they discover the joy and ecstasy of UNIVERSAL CONSCIOUSNESS in equilibrium.
(This entire process is clearly set out in Letters 5 and 7.) Therefore, the combination of the masculinity of the man and the femininity of the woman is essential to make a 'whole' drawn from the SOURCE of BEING. Out of this combination is formed a whole child." [Christ Returns - Speaks His Truth, Letter 4, page 17]
"When I was in the desert in Palestine, I first perceived that the over-riding nature of UNIVERSAL CONSCIOUSNESS Creativity, our SOURCE of BEING was INTENTION.
The Intention to create, plan and design - and then to bring forth that design by growing it, feeding, healing, protecting, and fulfilling its every need in a disciplined manner.
Both male and female have been evolved in physical form and consciousness to experience - INTENTION and express it in all ways possible in their lives. This is the very first act of creativity.
Without INTENTION there would be no CREATION.
INTENTION is the origin of - and permeates - the whole of existence.
INTENTION defines the nature of the deed - loving or destructive.
The male and female have been individualised to experience and formulate INTENTION in their lives. This is the very first impulse of creativity." [Christ Returns - Speaks His Truth, Letter 4, page 18]
"Male and female have also been individualised to experience and express WILLPOWER.
WILLPOWER in the MALE is experienced and expressed primarily as Activity. In primitive forms - he moves out into the environment to fulfill his INTENTION. Therefore, he dons the robes of the leader and quester. He was individualised to think and work to fulfill his purposes without the encumbrance of emotions.
WILLPOWER in the FEMALE is motivated and experienced primarily as Feeling - the Need to Nurture the original INTENTION and bring it, PURPOSE fully to full term - fruition - through the process of caring, feeding, clothing, repairing, teaching, protecting.
PURPOSE is entirely different to INTENTION since purpose comes down from the mental plane of intention and becomes an emotional drive, a desire to formulate 'a means to achieve the intended end'.
A 'powerful INTENTION to do something' becomes a PURPOSE behind continued existence. In this way, thought and feeling are married to perform the work of creation.
The male is constantly roaming seeking new ideas, new ways to fulfill his INTENTIONs to give him purpose in life.
The female's intentions are 'purpose personified', sensitive and stable, prepared to make sacrifices for the loved ones.
Therefore, the two basic IMPULSES within the SOURCE of BEING - expressed in physical form as male and female - are inter-dependent. One could not survive without the other. Both are needed for the continuity of creation.
Because of his masculine mobility, his leadership drive, the male has considered himself superior to the female. This is because she remains stable, creating security for the male. But the feminine drive is the drive of unconditional love, the drive worthy of the highest respect and consideration to enable her to flourish and perform her innate purpose within the household in peace of mind and joy.
The man's role is to provide physical security and material means of subsistence for the family. The woman's role is to provide emotional security and the emotional means of personal fulfilment and joy within the family environment." [Christ Returns - Speaks His Truth, Letter 4, page 18]
"When on earth, to describe the Reality behind and with in existence, I deliberately coined the term the 'Father' when referring to 'God'. This was done for two reasons.
Firstly, as I explained in Letter 1, when I received enlightenment in the desert, I was enabled to see that the concepts describing the Creator of the universe as 'revealed' by the Jewish prophets were completely wrong.
Secondly, I was given to perceive clearly - and fully understand - the true nature of the Creator and I realised that it was a nature of parenting - of fulfilling the needs of creation in clear-cut, specific ways which were synonymous with those of a father-mother. Indeed, I saw that the parenting impulses present in all living creatures had been drawn directly from the Creator, and that the origin of all love and parenting drives was also the origin of life and existence itself.
I also 'saw' that creation was a visible manifestation of the Universal Creative Impulses of Being, and therefore humankind could be termed the offspring of the creator.
For this reason, it was quite natural for me to speak of the 'Father' when referring to the Creator, since, to me, this is what the Creator truly is in every way - more especially 'Father-Mother' but having regard to the Jewish insistence on the woman occupying a subordinate position in their daily lives, I referred only to the 'Father' to avoid Jewish resistance and to gain their acceptance of the new terminology.
I also coined the term the 'Father' to help the Jews realise that their concept of Jehovah and the rigidity of Jewish laws were totally erroneous. Also by using a new terminology - the 'Father' - to describe the Creator - the Creative Impulse - behind and with in existence, I made it clear I had brought an altogether new teaching in opposition to the accepted belief in a 'God' which rejected certain people and sent disasters upon them as retribution." [Christ Returns - Speaks His Truth, Letter 5, page 1]
"And when I say: 'making true contact with It', I mean that the prayer of supplication for this benefit or that is not making true contact with your SOURCE OF BEING.
Your prayer is certainly received into the Source of Being, and an answer is frequently received swiftly and the need is fulfilled, even as you have asked. But true contact with the Source of your Being, is only experienced when you have sufficiently cleansed your consciousness of the gross human ego-drive and have spent some time in meditation and a regular emotionally powerful 'reaching out' in consciousness to your Source seeking contact and renewal and refreshment of spirit.
"At the outset of the following teachings, I, the CHRIST, must remind you that yours is not a solid universe. As you probably know, according to your scientists, solid 'matter', the visible substance of the world, is really composed of energy particles.
The TRUTH of BEING of your earthly dimension rests on this fundamental reality of creation.
To understand my teachings regarding the Truth of Being, it is necessary to grasp this fundamental 'seeming emptiness' underlying all your created world." [Christ Returns - Speaks His Truth, Letter 5, page 6]
"As I revealed to you in Letter 1, during the time I received full illumination in the desert, I was shown that 'matter' was not really solid. I was not given to understand exactly how the electrical particles which I termed the 'shimmer of motes' took on the appearance of visible 'matter'. I only knew that these 'motes' were moving at high frequencies of speed within 'GOD MIND' and 'GOD MIND' was therefore universal.
I perceived that 'GOD MIND' was both the creator - and substance - of all things within creation itself. Of this, I was absolutely certain.
I also 'saw' very clearly that human thought, when fraught with conviction or emotion, radically affected this process of materialisation of visible forms.
Therefore the human mind could - and did - interfere with the true intention of 'GOD MIND'." [Christ Returns - Speaks His Truth, Letter 5, page 6]
"There is nothing that electromagnetism has brought into visible being which the human mind can deem to be lacking purpose or meaning.
Science ignores this most basic and vital level of creation. Without an answer to this question, as to why everything which has been brought into visible manifestation by the activity of the twin energies of electromagnetism is invariably purposeful, successful and rational - nothing of any value in the search for your origins will be discovered.
Until science can probe and discover the 'Reality' of the 'space' in which electrical particles of 'visible being' are supported, science will forever remain behind locked doors of materialism. It will be barred to eternal Truth and universal wisdom and imprisoned within the bondage of reason alone - reason which is solely the product of the finite activity of brain cells.
It is to the true nature of the SPACE I intend to introduce you - but before proceeding to this, I must first bring many highly pertinent questions to your attention." [Christ Returns - Speaks His Truth, Letter 5, page 8]
"To discover your true SOURCE of BEING, I ask you to take stock of the unimaginable and indescribable complexity and diversity of purposeful work plainly evident in penguins and pigs.
Can the human mind replicate any of the most basic of activities within - say - the digestive system, which swiftly summons up the requisite enzymes and hormones necessary for digestion.
How dare the finite mind, which is incapable of perceiving clearly the true creative process governed by instinctual knowledge, presume to state unequivocally - defying contradiction - that it understands the true origins of creation and the forces out of which creation took form? What arrogance! These men can only think according to what their eyes tell them. I view the present scientific ignorance with loving compassion, a degree of amusement, and a great all consuming passion to puncture their pride. For, until someone can penetrate their self-satisfaction and position of infallibility, a true mating of Eternal Verities and human scientific knowledge can never take place. But it must take place; otherwise human spiritual evolution will remain at a standstill.
The scientific mind is too full of 'finitely' devised book lore, accepted formulas and equations, and the need for their fellows' approval, to permit mystical penetration by Higher Intelligences.
On my behalf, I ask readers of these Letters, to form an association to challenge Science and ask 'at what point in the evolution of the 'material' world' is CONSCIOUSNESS first discernible?" [Christ Returns - Speaks His Truth, Letter 5, page 12]
"You now know that the Father-Mother Creative Process and the tools of physical creation are all in a state of equilibrium within the Universal Dimension, but now that equilibrium is to be exploded to bring about
You know, too, that since the Infinite Eternal IMPULSES are contained in a state of mutual restraint, these IMPULSES are of an unimaginable intensity of energy - against which your atomic energy contained within the splitting of an atom is a mere 'pouff', an infinitesimal twitch of no importance.
I want you to fully realise all the foregoing, since your realisation of what happened at the time of the Big Bang will give you a glimpse of what happened at the time of the sundering of UNIVERSAL CONSCIOUSNESS to permit the creation of individual form to take place." [Christ Returns - Speaks His Truth, Letter 5, page 20]
"Creation is the product of PRIMARY IMPULSES working individually and together - making impressions upon the other, fulfilling inbuilt needs imprinted within consciousness - these needs being, at the outset to increase and experience self-expression leading to further separation then - to restore a sense of inner security and comfort - to be re-united within the harmony of UNIVERSAL CONSCIOUSNESS. Out of this driving force for a re-united harmony of being, came the male-female drive for re-union to recapture the bliss which is buried in the soul consciousness." [Christ Returns - Speaks His Truth, Letter 5, page 23]
"'Father' and 'Mother' Consciousness energies are IMPULSES both restrained within the UNIVERSAL DIMENSION and when they have been released from equilibrium they powerfully perform the work of creation." [Christ Returns - Speaks His Truth, Letter 5, page 23]
"I asked the Creator - 'Universal Consciousness' - why mankind endured so much suffering and evil.
I was then shown very clearly that all the problems experienced by humans arose from the 'central point' of the self, (science now calls this the 'ego').
It manifested itself in the 'personality'
as a DRIVING NEED to defend the self from criticism or emotional/physical attack
and a similar DRIVING NEED to push aside other people, in order to arrive first in the race of life.
It also manifested itself in the 'personality'
as a DRIVING NEED to take all that was best for the self, despite the opposition of others and a similar DRIVING NEED to hold on to personal possessions, be they relatives, friends, material goods or achievements, despite any opposition. I was also made to understand that without these TWO fundamental, eternal, undeviating 'impulses of creative being' there would be no creation.
"To fully understand the nature of creation: the reasons why the ego functions as it does, why created entities feel the urges they feel, it must be understood that the NATURE and QUALITY of UNIVERSAL CONSCIOUSNESS is RADIANT JOY - FULFILLMENT - HAPPINESS.
THIS IS WHAT I TERMED THE 'KINGDOM OF HEAVEN WITHIN YOU' - WITHIN YOUR SOUL - WITHIN THE DEEPEST RECESSES OF YOUR PSYCHE, which is the intermediary between the radiance of your soul and the shadow self of ego.
To return to this transcendent state of glorious, beautiful, happy, harmonious being is your soul's deepest longing!
It is this enduring longing, this inborn unconscious recollection of equilibrium and peace, joy and harmony, which, through the psyche, prompts the EGO to manipulate the environment on your behalf. Its consistent purpose is to bring you back to your primal original state of glorious ecstasy out of which you drew your soul, being and form. But the ego can bring about your desired joy and pleasure, only by means of the two magnetic/emotional 'Bonding-Rejection' impulses - which are only materialised impulses to give you your individuality." [Christ Returns - Speaks His Truth, Letter 6, page 9]
"What you (Dale Pond) have done (with this presentation) is give physicists and scientists a way to deal with and accept Creation and the Creative Forces without using the word "God"." [Jerry Williams]
Bonding - Rejection
Creation is the division of stillness
Gods Full Process of Creation
In the Wave lies the Secret of Creation
Law of Assimilation
Law of Creation
Mind of Christ
movement of Creation
Rhythmic Balanced Interchange
7.6 - Reciprocal Disintegration and Creation
9.8 - Spontaneous Creation of Harmonic Series