noun: the act of changing the location of something
noun: a natural event that involves a change in the position or location of something (see Delta)
noun: the act of changing location from one place to another
noun: a change of position that does not entail a change of location
the major, the root of the major chord is the middle of the relative minor, and the middle of the major chord is the top of the relative minor; and as the note which has a semitonic progression downward to the top of the major has a semitonic progression upward to the root of the relative minor, so the same three notes which move in semitonic progression to the top, root, and middle of the major chord, likewise move by the semitonic progression to the root, top, and middle of the relative minor. In both cases the progressions are upward to the roots and downward to the tops; but in the major the movement is downward to the middle, while in the minor it is upward. So each one of these three of the four notes of the chromatic chord has two various movements.1 [Scientific Basis and Build of Music, page 53]
I had for a long time studied the development of the harmonics of colour, and believed that I had gained them correctly; but I saw no way of proving this. The thought occurred—Why not test the laws in musical harmonies? I wrote down the development of the seven major keys of the white notes in keyed instruments. I was perplexed by the movement as of "to and fro," but the development of numbers explained this point, and I found that the method of development in colours, tones, and numbers agreed. I remembered the keys with sharps, but had forgotten that B♭ belonged to the key of F, and here I thought that the laws failed. But I found by reference that all were correct, the eighth being the first of a higher series, the laws having enabled me to distinguish between flats and sharps, [Harmonies of Tones and Colours, General Remarks on Harmonies of Tones and Colours, page 12]
We here trace the twelve harmonies developing in succession. Notice how exactly they all agree in their mode of development; also the use of the chasms between E and F, B and C. Remark also the beautiful results from the working of the double tones, especially C#-D♭, and E#-F♭, causing the seven tones of each harmony, when ascending, to rise one tone, and, descending, to reverse this movement. F#-G♭ is the only double tone which acts as F# when a key-tone, and G♭ when the root of D♭. The root of each harmony is the sixth and highest tone in each succeeding harmony, rising one octave; when it is a double tone, it sounds according to the necessity of the harmony. The intermediate tones are here coloured, showing gradual modulation. The isolated fourths (sounding sevenths) were the previously developed key-tones; these also alter when they are double tones, according to the necessity of the harmony. Beginning with B, the isolated fourth in the harmony of C, the tones sound the twelve notes of a keyed instrument, E# being F♮, and the double tones, some flats, some sharps. [Harmonies of Tones and Colours, Combinations of dissonance, rests, page 24]
When the twelve minor harmonies are traced developing in succession, we notice how exactly they all agree in their method of development, also the use of the chasms and the double tones, the seven of each harmony rising a tone when ascending, but reversing the movement in descending; keys with sharps and those with flats are mingled. The intermediate tones are here coloured, showing gradual modulation. D♭ is shown to be an imperfect minor harmony, and E♭, by employing B as C♭, is seen to be equivalent to D#. [Harmonies of Tones and Colours, Diagram IX - The Minor Keynote A and Its Six Notes, page 34a]
Christ Returns - Speaks His Truth
"As I have told you before, were individuality able to enter the UNIVERSAL DIMENSION of the MUTUALLY-RESTRAINED IMPULSES of 'Movement & Bonding' - the individuality would be immediately dissolved and returned to the equilibrium of UNIVERSAL CONSCIOUSNESS. Ponder the unimaginable immensity of Power contained within the MUTUAL-RESTRAINT of the TWIN IMPULSES in UNIVERSAL CONSCIOUSNESS which are primarily
WILL >>><<< PURPOSE
Intelligent Love & Loving Intelligence
Impulses of: Movement Bonding-Repulsion
ELECTRICITY ........ in equilibrium ........ MAGNETISM
The above describes the UNLIMITED UNIVERSAL DIMENSION before the BIG BANG!" [Christ Returns - Speaks His Truth, Letter 5, page 20] "By working together as a team, separately but inseparable, in the visible world, these twin impulses were the means by which the substance of 'matter' itself has been created out of the sublime
One impulse of creativity is: the 'I'ness of ACTIVITY.
This impulse of activity is universal and stems from only one source.
'Activity' is a movement in CONSCIOUSNESS, and CONSCIOUSNESS in movement.
The other creative impulse possesses (figuratively speaking) two faces looking in opposite directions.
Pull towards>>>>>>>> the self<<<<<<<< Push away
otherwise known as
These are the ONLY means by which earthly existence has been achieved.
The entire universe is a manifestation of the 'Creative Power' active within these Twin Impulses of PHYSICAL BEING - creating 'matter' and individual form.
This is one of the fundamental 'secrets' of the universe.
I saw that the 'core' of the 'Personality' or 'ego' as it is now called, had been created
'GUARDIAN of PERSONALITY'
and was irresistibly imprinted with the magnetic impulse to ensure
PRIVACY and SURVIVAL.
For the protection of the individual 'I'ness
This was accomplished by using the two faces of the second Impulse of Being
It has become clear to some that the origins of all manifestations of life and motion lie in chemo-physical and electromagnetic causes, which on their part are triggered by plus and minus temperatures.
Will and counterwill are functions of the temperatures that arise for one reason or another. Work is a function of the temperatures that lie above or below the turning point or point of intersection - the anomaly point - in which all life arises (zero point). It is of similar nature to what we experience as the 'present', which is a function of an on-going extremely high velocity flow. This flow is an eternal motion-of-creation, which in turn gives rise to a constant creation-of-motion. Thus we arrive at the fallacy and the explanation of the life that lies between birth and burial, which is the illusion that clothes evolution with reality. Temperature is thus the difference between differences, out of which the ceaseless movement of evolution arises, which is itself the product of tensions resulting from the contrasting directions of movement.
The movement of the planets is mirrored in the movement of earthly bodies and thus the possibility also exists to order the course of such planetary systems by means of a particular physical motion. Conversely, it is also possible to exploit planetary motion to produce physical motion, which will enable us to harness a constantly waxing motive force for our own use. Opposites have their appointed directions of movement and find their expression in the mutual interaction of living and moving matter. [From Schauberger, The Energy Evolution - Harnessing Free Energy from Nature - From Special Edition Mensch und Technik, Vol. 2, 1993, section 3.1]
of the most purely spiritual dimension, which is transformed at the speed of lightning into movement and formation, through which the thing is forcibly turned inside out and is thus energised from within. On the other hand, this two-fold motion is also the origin of life, which on its part continually transforms itself both without and within.
If we should now succeed in maintaining any given substance - water, for instance - in constant state of change and transformation, then we are presented with the eternal, formative movement. This generates the creation-of-motion, which we can transform by indirect means into that which in today's terminology is described as 'energy'. With this we are well on the way to a technology that will usher in and order the coming bio-ecological age.
The basic principle of this natural technology is the frictionless motion that naturally and necessarily results from the creation-of-motion innate in evolution, which as it evolves to a higher state of organisation, automatically
 In Viktor Schauberger's writings in German, the prefix 'Ur' is often separated from the rest of the word by a hyphen, e.g. 'Ur-sache' in lieu of 'Ursache', when normally it would be joined. By this he intends to place a particular emphasis on the prefix, thus endowing it with a more profound meaning than the merely superficial. This prefix belongs not only to the German language, but in former times also to the English, a usage which has now lapsed. According to the Oxford English Dictionary, 'ur' denotes 'primitive', 'original', 'earliest', giving such examples as 'ur-Shakespeare' or 'ur-origin'. This begins to get to the root of Viktor's use of it and the deeper significance he placed upon it. If one expands upon the interpretation given in the Oxford English Dictionary, then the concepts of 'primordial', 'primeval', 'primal', 'fundamental', 'elementary', 'of first principle', come to mind, which further encompass such meanings as: — pertaining to the first age of the world, or of anything ancient; — pertaining to or existing from the earliest beginnings;- constituting the earliest beginning or starting point;- from which something else is derived, developed or depends;- applying to parts or structures in their earliest or rudimentary stage; — the first or earliest formed in the course of growth. To this can be added the concept of an 'ur-condition' or 'ur-state' of extremely high potential or potency, a latent evolutionary ripeness, which given the correct impulse can unloose all of Nature's innate creative forces. In the English text, therefore, the prefix 'ur' will also be used wherever it occurs in the original German and the reader is asked to bear the above in mind when reading what follows. — Ed.
vacates the place it occupied and in this way gives rise to the counter-motion of the surplanting body. [From Special Edition Mensch und Technik, Vol. 2, 1993, section 3.1]
The outcome of this incessant reciprocal activity on the one hand is the reconstitution of the various kinds of water present in the individual zones, and on the other, the constant transformation of the species of vegetation in which water makes its way, ceaselessly moved by this inner interplay of forces. This inner, energetic interaction, however, is opposed by the effect of the water's weight. The alternating magnitudes of these component forces inevitably lead to the constant rising and falling of the water particles - the so-called pulsation of water. Every new formation and all growth is derived from the smallest beginnings. Continuing development in the early stages can only be accomplished if the circulation in the Earth's interior proceeds correctly. According to inner law, every higher form of vegetation is built up from the lower species preceding it. The carrier of the substances and the transmitter of the life-processes in the root-zone is the groundwater. The impulse for its movement is caused by a drop in temperature, to which the inner metabolic processes of the here decisive groups of basic elements give rise. The impulse for the movement of water is thus a product of the interactions between the opposites contained within it, which find their necessary resistance in the water itself. Through the resistance arising from the interactions between carbone and oxygen, fluctuations in temperature again occur and with them the impulse to move - the pulsation of water, which in this way at times dissolves salts and at others deposits them, transports them, creates energies and transforms them. The sense and purpose of these perpetual transformation processes is the creation and maintenance of the various types of vegetation and physical forms, which on their part again represent the bridges for the build-up and maintenance of the energies. [The Energy Evolution - Harnessing Free Energy from Nature, Conclusions]