Mr. Keely begins with sounds whose vibrations can be known and registered. I presume that the laws of ratio, position, duality, and continuity, all the laws which go to mould the plastic air by plastic bodies into the sweetness of music, will also be found ruling and determining all in the high silence of interior vibrations, which hold together or shake asunder the combinations that we call atoms and ultimate elements. - The Scientific Basis and Build of Music. [D. C. Ramsay. Edited by the Rev. John Andrew. Marcus Ward & Co.]
What Keely has discovered in physics, I am in some measure credited with discovering in metaphysics: this is nothing strange, according to this philosophy, which shows that many people may divine the same original truth at the same time by means of the etheric element which connects the Deity, the source of all truth, with all His creatures. - [Preface to Vera Vita; or, The Philosophy of Sympathy. David Sinclair. Author of A New Creed. Digby, Long & Co., London.]
The fundamental conception of the Universe is force manifesting itself in rhythmical relations. This definition is exhaustive, including both thought and extension, matter and mind. The law for the one is the law for the other. The distinction between them is simply relative, i.e. quantitative, not qualitative.
The rhythmical relations in which force acts are everywhere, under all conditions, and at all times, the same. They are found experimentally to be universally expressible by the mathematical relations of thirds.
These threefold relations may be expressed with regard to their results as,-
|III. Dominant or Resultant.
From these three actions are derived the three fundamental
- I. Law of Assimilation: every individualized object assimilates itself to all other objects.
- II. Law of Individualization: every such object tends to assimilate all other objects to itself.
- III. Law of the Dominant: every such object is such by virtue of the higher or dominant force which controls these two tendencies.
- I. The Radiating: called also the "Dispersing," the "Propulsive," the "Positive," and the "Enharmonic." see entropy
- II. The Focalizing: called also the "Negative," the "Negative Attractive," the "Polarizing," and the "Harmonic." see syntropy
- III. The Dominant: called also the "Etheric," or the "Celestial."
These, it will be noted, correspond to the three laws of being. It is not to be understood that any one of these three modes of vibration can exist independently. Each by itself is called a "current," and all three must be present in every "stream" or "flow" of force. The relations of the currents in every flow are expressible in thirds, and it is experimentally demonstrable that the relations of the three are in the order named: as 33 1/3 : 66 2/3 : 100.
The evolution of what is called "matter" from the different modes of vibration is through the action of the second law, that of focalization, or "negative attraction," or "negative affinity." [see syntropy]
Where the vibrations under this mode meet, and are maintained in a state of mutual affinity or equilibrium, there is established what is called a "neutral center," or, as otherwise expressed, "a center of sympathetic coincidence."
The terms "neutral attraction," "neutral affinity," "negative attraction," or "polar negative attraction," are emplyed to express the property of a mode of vibration to direct its components towards such centre. see syntropy
As no current of flow of force can be composed of one mode of vibration only, but must always be composed of three modes uniting in varying thirds, we have 1 x 2 x 3 = 6 as the total possible forms of sympathetic coincidence, or, to speak in ordinary terms, there can be six; and six only, possible forms of individualized being. These are what Keely calls the six orders of atomic subdivision, or orders of vibratory motion, and he names them as follows:
In this list the forms of matter are arranged in the mathematical sequence of the rapidity of the oscillations of their constituent members; the proportion being proved by experiment to be as follows: for the molecular orders:
|I. The Enharmonic.
|II. The Harmonic.
|III. The Dominant.
It will be seen that as every form of material aggregation is to be considered as a "neutral center of attraction," where the vibratory force of all three orders are held in "sympathetic coincidence," that is, in balanced activity or harmonized motion, and not by any means cancelled or mutually destroyed, there is no diminution of force, but only temporary suspension of its radiating or propulsive activity or expression. [see Rhythmic Balanced Interchange]
This is the foundation of Keely's doctrine of "latent force," and of the indefinite power which can be obtained by breaking up the harmonious balance or equation of forces of every mode, which exists in every "neutral center," that is to say in every mass of matter.
Insomuch as every mass of matter consists thus, in fact, of vibrations in harmonic equilibrium, related by simple proportions of thirds, it follows that every mass of every description stands in harmonic relations to every other mass. This is, in part, what is meant by the sympathy of all forms of matter and of motion; and it is through the study of the methods of increasing or diminishing this sympathy that we reach practical results in this field of research. At present this is best accomplished by resonance; that is, through the harmonic vibrations created by musical instruments, bringing out the acoustic world as the microscope reveals the hidden visual world.
These molecules have been experimentally proved by Keely to be formed of all three modes of vibration; the proof being that they respond to all three modes when subjected to the tests of compound concordant impulses.
When in that state of neutral aggregation which we know as matter, each molecule is in perpetual oscillation, the range of the oscillation being one-third of the molecule, and its rapidity 20,000 oscillations in a second.
It is through the disturbance of this oscillatory equilibrium, by means of resonant impulses, that Keely alters the relations of the vibratory impulses which constitute matter. This he does by striking the same chord in three octaves, representing the third, sixth, and ninth of the scale.
The ninth extends the range of molecular oscillation, and thus tends to give greater tenuity to the mass. It induces "trajectile velocity" from neutral centers, or "neutral radiation." Experiment shows that molecular dissociation does not take place until the molecule attains an oscillation approaching, it not fully reaching two-thirds of its diameter. This can be effected by means of the action of the "enharmonic" or "radiating" current applied to the mass, after its molecules have once been disturbed by an "introductory impulse;" that is, by the musical note above mentioned.
The third represents the "dominant," and when brought under control of a harmonic resonant impulse induces a complete rearrangement of the modes of vibration and oscillation; in other words, will transform the mass either into its component initial forces, or into some other form of matter. [see Law of Transformation of Forces]
It is the study of the dominant to which Keely has devoted his recent researches. He aims to control the power he evolves by altering the dominant or etheric mode of vibration in the triplicate flows of force.
As all molecules and masses are mere centres of harmonized vibrations, temporarily held in suspension by simple laws identical with those of resonance, it follows that these centres can be broken up or divided by certain orders of vibration impinging upon and disturbing them.
It is a familiar fact that a cord in vibration tends to produce a similar vibration in a cord placed near it. This property belongs to all vibrations, whether resonant or not, and they exert it in proportion to the "order" to which they belong. The distance in space to which this power extends, or can be extended, is what is called "the sympathetic outreach" of the current of flow.
In this manner we have "sympathetic negative attraction," and "sympathetic positive propulsion," with reference to the "outreach" of the third or dominant current of the stream, which is allied to the order of etheric vibrations.
But as the condition of absolutely stable equilibrium is theoretical only, and does not exist in nature, the chord of the mass is constantly changing. Yet we must learn to control this "chord of the mass" by resonant induction, if we would gain command of the molecular forces.
Keely believes he has solved this problem, by the invention of a mechanical device which brings the chords of all masses within the conditions of a few simple acoustic tests.
As this is the primary relation of the modes of vibration, a wire made of these three metals is peculiarly adapted to transmit concordant impulses: and nodes made of these substances placed upon a wire, transmitting resonant vibrations, indicate, by the different orders of vibration induced in them, the rate of oscillations of the atomic constituents.
The phenomenon of rotation arises from the harmonic inter-action of the dominant and enharmonic elements of the flow: in other words, the first and third, the third and ninth, etc.; those whose vibrations bear the proportions to each other 33 1/3 : 100.
A practical example of rotation is a wheel in revolution on its axis. This is force in its commercial or economic aspect. To accomplish this result by molecular vibratory action, we must gain control of the "negative attractive" or "enharmonic" current of the triple flow, and the problem is then solved up to any limit of power.
Keely "The corner-stone of this philosophy is one power, one law; order and method reigning throughout creation; spirit controlling matter, as the Divine order and law of creation_that the spiritual should govern the material - that the whole realm of matter should be under the dominion of the world of spirit." [More Science]
Keely and His Discoveries
Keelys Physical Philosophy - same as Laws of Being
Laws of Being - where these numbers are put in context
Laws of Being - Annotated
Modes of Vibration - where these numbers are put in context
Modes of Vibration - Annotated
Trexar - numbers used to construct superconductive wire
12.07 - Keelys Thirds Sixths and Ninths
14.02 - Three Six and Nine - The Principles of Creation - from Eastern Indian philosophy
14.35 - Teslas 3 6 and 9
14.35.1 - Keely 3 6 and 9 - a synapsis of these numbers