First and foremost sympathy is Love or that which connects all things to all else. In SVP, sympathy does NOT mean "feeling sorry" but is "feeling the same as" or "one with". [see Harmony, Quantum Entanglement, Affinity, Attraction, Awareness, Knowing, Sympathetic Vibration, Sympathetic Oscillation, Universal Love, Christ, Science, Truth, coupling]
The two terms (sympathy/empathy) are very close in concept. The term 'sympathy' is/was used in science/physics to describe a specific physical state or condition. This being the case it (sympathy) has its very certain place in SVP. Empathy seems to be used mostly in describing an emotional state or condition. As always words, terms and phrases are subject to whatever context in which they are used.
Sympathy: 1. Pertaining to or produced by sympathy.
"The mutual relation between parts more or less distant, whereby a change in the one has an effect upon the other." [Blakiston's New Gould Medical Dictionary; The Blakiston Company, 1949; 1st edition]
- 1. a. A real or supposed affinity between certain things, by virtue of which they are similarly or correspondingly affected by the same influence, affect or influence one another (especially in some hidden, unseen way), or attract or tend towards each other.
- 1. b. A relation between two bodily organs or parts (or between two persons or things) such that disorder, or any condition, of the one induces a corresponding condition in the other.
- 2. Agreement, accord, Harmony, consonance, concord, agreement in qualities, likeness, conformity, correspondence.
- 3. a. Conformity of feelings, inclinations, or temperament, which makes persons agreeable to each other; community of feelings; Harmony of disposition.
- 3. b. The quality or state of being affected by the condition of another with a feeling similar or corresponding to that of the other; the fact or capacity of entering into or sharing the feelings of another or others; fellow-feeling. Also, a feeling or frame of mind evoked by and responsive to some external influence. [source unknown, (underline added)]
Sympathy (Page: 1462) Sym"pa*thy (?), n.; pl. Sympathies (#). (F. sympathie, L. sympathia, Gr.; with + suffering, passion, fr. , , to suffer. See Syn-, and Pathos.)
- 1. Feeling corresponding to that which another feels; the quality of being affected by the affection of another, with feelings correspondent in kind, if not in degree; fellow-feeling.
- 2. An agreement of affections or inclinations, or a conformity of natural temperament, which causes persons to be pleased, or in accord, with one another; as, there is perfect sympathy between them.
- 3. Kindness of feeling toward one who suffers; pity; commiseration; compassion.
- 4. (Physiol.) (a) The reciprocal influence exercised by the various organs or parts of the body on one another, as manifested in the transmission of a disease by unknown means from one organ to another quite remote, or in the influence exerted by a diseased condition of one part on another part or organ, as in the vomiting produced by a tumor of the brain. (b) That relation which exists between different persons by which one of them produces in the others a state or condition like that of himself. This is shown in the tendency to yawn which a person often feels on seeing another yawn, or the strong inclination to become hysteric experienced by many women on seeing another person suffering with hysteria.
- 5. A tendency of inanimate things to unite, or to act on each other; as, the sympathy between the loadstone and iron. (R.)
- 6. Similarity of function, use office, or the like. [Webster Dictionary, 1913]
- 7. For several things to be "as one".
noun: a relation of affinity or harmony between people or things; whatever affects one correspondingly affects the others. [see Sympathetic Vibration]
noun: In natural history, a propension of inanimate things to unite, or to act on each other. Thus we say, there is a sympathy between the lodestone and iron. [Webster's 1828 Dictionary]
"They who feel that force called love, which on higher planes is known as sympathy, thrill with waves of force which are already strong, augmenting them or increasing their intensity." [Keely, Amplitude of Force]
"The experiment illustrating "chord of mass" sympathy was repeated, using a glass chamber, 40 inches in height, filled with water, standing on a slab of glass. Three metal spheres, weighing about 6 ounces each, rested on the glass floor. The chord of mass of these spheres was B flat first octave, E flat second octave and B flat third octave. Upon sounding the note B flat on the sympathetic transmitter, the sphere having that chord of mass rose slowly to the top of the chamber, the positive end of the wire having been attached, which connected the covered jar with the transmitter. The same result followed the sound of the other spheres, all of which descended as gently as they rose, upon changing the positive to the negative. J.M. Wilcox, who was present remarked: "This experiment proves the truth of a fundamental law in scholastic philosophy, that when one body attracts or seeks another body, it is not that the effect is the sum of the effects produced by parts of one body upon parts of another, one aggregate of effects, but the result of the operation of one whole upon another whole." [Snell Manuscript - The Book, page 3]
"That tuning forks can be so constructed as to show coincident or concordant association with each other, is but a very weak illustration of the fact which governs pure acoustic assimilation. The best only approach a condition of about a fortieth, as regards pure attractive and propulsive receptiveness. By differentiating them to concordant thirds, they induce a condition of molecular bombardment between themselves, by alternate changes of long and short waves of sympathy. Bells rung in vacuo liberate the same number of corpuscles, at the same velocity as those surrounded by a normal atmosphere, and hence the same acoustic force attending them, but are inaudible from the fact that, in vacuo, the molecular volume is reduced. Every gaseous molecule is a resonator of itself, and is sensitive to any and all sounds induced, whether accordant or discordant." [Snell Manuscript - The Book, GRADUATION OF MACHINES, page 5]
"In setting the conditions of molecular sympathetic transmission by wire," writes Keely, "the same law calls for the harmonious adjustment of the thirds, to produce a nonintermittent flow of sympathy. Intermission means failure here. That differential molecular volume is required, in two different mediums of molecular density, to destroy differentiation of sympathetic flow, seems at first sight to controvert the very law established by the great Creator, which constitutes harmony - a paradoxical position which has heretofore misled physicists who have propounded and set forth most erroneous doctrines, because they have accepted the introductory conditions, discarding their sympathetic surroundings. The volume of the neutral centre of the earth is of no more magnitude than the one of a molecule: the sympathetic conditions of one can be reached in the same time as the other by its coincident chord." [Keely, Law of Sympathetic Association]
"All the forces of nature", writes Keely, "proceed from the one governing force; the source of all life, of all energy. These sympathetic flows, or streams of force, each consists of three currents, harmonic, enharmonic and dominant; this classification governing all orders of positive and negative radiation. The sympathetic flow, called "Animal Magnetism", is the transmittive link of sympathy in the fourth, or interatomic, subdivision of matter. It is the most intricate of problems to treat philosophically; isolated as it is from all approach, by any of the prescribed rules, in "the orthodox scheme of physics". It turns upon the interchangeable subdivision of interatomic acting agency, or the force of the mind. The action of this etheric flow, in substances of all kinds, is according to the character of the molecular interferences which exist in the volume of their atomic groupings. These interferences proceed from some description of atomic chemical nature, which tend to vary the uniformity of structure in the atomic triplets of each molecule. If these groupings were absolutely uniform, there would be but one substance in nature, and all beings inhabiting this globe would be simultaneously impressed with the same feelings and actuated by the same desires; but nature has produced unlimited variety. Science, as yet, has not made so much as an introductory attempt to solve this problem of â€œthe mind flow", but has left it with the hosts of impostors, who always beset any field that trenches on the laud of marvel." Keely, [(The Connecting Link Between Mind and Matter - Keelys Progress - Part 2)]
"Every harmonious condition of Nature's evolution is governed by one incontrovertible law; that of concordant assimilative harmony. This concordant key is the ruling one over all the antagonistic, negative, discordant ones; the one that diverts the disturbance of sympathetic equilibrium to one general concentrative centre for redistribution. Harmony concentrates, harmony distributes. The focalizing point of concordant sympathetic concentration is the percussive electric field, where the velocity of its sympathetic streams rebounds with a power that throws them far out into universal space; and so far beyond their equative centre of equilibrium as to bring them in sympathy with the universal attraction of the combined neutral centres of all planetary masses." [Vibratory Physics - The Connecting Link between Mind and Matter]
"In setting the conditions of molecular sympathetic transmission by wire," writes Keely, "the same law calls for the harmonious adjustment of the thirds, to produce a non-intermittent flow of sympathy. Intermission means failure here. That differential molecular volume is required of sympathetic flow, seems at first sight to controvert the very law established by the great Creator, which constitutes harmony, a paradoxical position which has heretofore misled physicists who have propounded and set forth most erroneous doctrines, because they have accepted the introductory conditions, discarding their sympathetic surroundings. The volume of the neutral center of the earth is of no more magnitude than the one of a molecule, the sympathetic condition of one can be reached in the same time as the other by its coincident chord." Keely has ... attained the transmission of the etheric current in the same manner as the electric current with this one notable difference, that, in order to show insulation to the skeptical, he passes the etheric current, through blocks of glass in running his vibratory devices." [JOHN ERNST WORRELL KEELY]
The action of Nature's sympathetic flows regulates the differential oscillatory range of motion of the planetary masses as regards their approach toward and recession from each other. These flows may also be compared to the flow of the magnet which permeates the field, existing between the molecules themselves, sensitising the combined neutral centres of the molecules without disturbing, in the least, the visible molecular mass itself. In the planetary masses - balanced as it were in the scales of universal space, floating like soap-bubbles in a field of atmospheric air, the concentration of these sympathetic streams evolves the universal power which moves them in their oscillating range of motion to and from each other. This sympathetic triple stream focalises and defocalises on the neutrals of all such masses polarising and depolarising, positive and negative action, planetary rotation, etc., etc.. It is thus that all the conditions governing light, heat, life, vegetation, motion, are all derived from the velocity of the positive and negative interchange of celestial sympathy with the terrestrial.
Every harmonious condition of Nature's evolutions is governed by one incontrovertible law; that of concordant assimilative harmony. This concordant key is the ruling one over all the antagonistic, negative, discordant ones; the one that diverts the disturbance of sympathetic equilibrium to one general concentrative centre for redistribution. Harmony concentrates, Harmony distributes. The focalising point of concordant sympathetic concentration is the percussive electric field, where the velocity of its sympathetic streams rebounds with a power that throws them far out into universal space; and so far beyond their equative centre of equilibrium, as to bring them in sympathy with the universal attraction of the combined neutral centres of all planetary masses. KEELY. [True Science]
"Reception and dispersion are kept up on the atmospheric envelope of the earth by the atomic and interatomic conflict as "between the dominant and the enharmonic". This is brought about by the reception and dispersion of sympathetic streams, the ruling mode of whose vibration is the dominant, and the density of the coarser grades of matter, whose ruling vibratory mode is the enharmonic.
As every mass consists of vibrations in thirds, balanced in harmonic equilibrium without cancellation or diminution of energy, it stands therefore in harmonic relation to every other mass. All forms of matter and of motion are thus interrelated and interchangeable. Through resonance, increasing this sympathy, we can control the states of matter." [Mass action, Snell Manuscript - the book]
"For the sake of being popularly understood, sympathy as a force is here, in a general sense, sometimes spoken of in a kind of figurative way as a message on the telegraph wire, etc. In a more particular way it will now be scientifically explained as a force, as material as sound, light and heat. We speak of the sun's rays as if each ray were some simple element, and yet easily carry in our minds the fact that each ray is composed of light and heat; so this philosophy speaks of this ether as a mere lineal connecting-rod between the creature and Creator. If the analogy between the sun's rays and the ether be closely followed, it will be seen that wisdom, truth, and sympathy are the same thing, and travel on the ether lines exactly as light and heat do on the sun's rays." [David Sinclair, Vera Vita the Philosophy of Sympathy]
"The powers of electricity have not hitherto been observed, nor have the origin and importance of sympathy. The electric marvels of the present day were in electricity thousands of years ago, but there was no practical observer to utilise them. Sympathy is as everlasting and all-powerful as electricity is. Men, in their honest research for human happiness, will put it to the test, and the new insight it will give to life will be more marvellous than the marvels of electricity." [David Sinclair, A New Creed the book]
"It is a law of falling bodies that they steadily increase their speed, so is it with this great power of sympathy when once it is started. Its rate of acceleration is enormous. A force that is once created can never be destroyed, and there is no force in all creation more real or more powerful than the force of sympathy. It may be stored up and hidden as energy is in fossil vegetable matter. It is a great created power, latent in the hand of the Creator, and at the command of the creature." [David Sinclair, A New Creed the book]
"When object A is in sympathy with object B, A is aware of what happens to B and B is aware of what happens to A. As there is an innate or natural vibratory sympathy (sympathetic vibration) between all things or objects all things and objects are aware of all that is happening, everywhere and all the time regardless of Time and Space. This property or condition has been called by many names throughout humanity's long evolution: Coupling, God, non-locality, Mind, Love, Celestial Sympathetic Radiation, Brahma, Cosmic Consciousness, etc." [Dale Pond 11/21/10]
After vibrations the next thing is musical notes, the sounds produced by the vibrations falling into the ear. Sounds arise in association. There are no bare simple sounds in music; it is a thing full of the play of sympathy. Such a thing as a simple solitary sound would be felt as a strange thing in our ears, accustomed as we are to hear affiliated sounds only. These affiliated sounds, called "harmonics," or "partials" as they have also been called, because they are the parts of which the sound is made up, are like perspective in vision. In perspective the objects lying in the line of sight, seem smaller and smaller, and more dim and indefinite as they stretch away into the distance; while nearer objects and those in the foreground are apparently larger, and are more clearly seen. This is the way of a musical sound; one of its component elements, the fundamental partial, being, as it were, in the foreground to the ear, is large and pronounced; while the other elements are less distinctly heard, and are fainter and fainter as they recede into the musical distance in the perspective of the ear. Few have any idea of the number of these weaker partials of a musical sound. Tyndal's illustrations in his very instructive work on Sound show a string spontaneously divided into twenty segments, all vibrating separately, being divided by still nodes along its length; and a vibrating string will keep thus [Scientific Basis and Build of Music, page 58]
which seems to show that not only has one part of a vibrating string sympathy with another part of it so as to go into harmonic partials, as we have just seen, but as if the very air itself had sympathy with harmoniously vibrating strings; for Tartini observed that two harmonious sounds being produced and sustained as they can be, for example, by a strong bow on the violin, a third sound will be heard. Tartini's name for it was simply "a third sound." This is not an overtone, as Helmholtz has called the harmonic partials of one sounding string, but an undertone, because it is a "grave harmonic," away below the sounds of the two strings which awaken it. The subject of these undertones has been carefully studied since Tartini's day, and more insight has been obtained since we are now able to count and register the vibration of any musical sound. Helmholtz has called these third sounds of Tartini's "difference sounds," because when awakened by two strings, for example, the vibration-number of the third tone is the difference of the vibrations-numbers of the two tones which awaken it. The note C with vibration-number 512, and another C whose vibration-number is 256, the octave, awakened no third sound, because there is no difference between the two numbers - the one is just the doubled or halved; but if we take C256 and G381, its fifth, the difference number is 128; this being a low octave of C256, it has the effect of strengthening the upper one. Helmholtz found this to be the law of the third sound as to its producing, and the effect of it when produced. This third sound, mysteriously arising in the air through the sympathy it has with all concordant things, is another among many more suggestions that the whole Creation is measured and numbered to be in sympathy one part with another. The Creation is a universe. [Scientific Basis and Build of Music, page 60]
Why do we compound? Because it produces variety, and variety is one of the aspects of the beautiful; Nature loves and abounds in variety, without violation of her unity. And further, all creation throbs with sympathy, one thing feeling and tending toward another, nothing content in isolation; and compound chords are chords reaching out after assimilation to an affiliation with other adjacent chords, that they may be able, through something in [Scientific Basis and Build of Music, page 70]
3 - In the third sphere, vibrating things, molecules, atoms, etc. gaseous, liquid, or solid have tensions and forces far beyond the requirements of music, and far above the audible region where musical sounds have been located by the Great Numberer. The multiplication of forces there, and their augmentation derived from sympathy, of which sympathy we have faint illustrations in the region of [Scientific Basis and Build of Music, page 86]
The sympathy of one thing with another, and of one part of a thing with another part of it, arises from the principle of unity. For example, a string requires to be uniform and homogenous to have harmonics producing a fine quality of tone by the sweet blendings of sympathy; if it be not so, the tone may be miserable ... You say you wish I were in touch with Mr. Keely; so do I myself ... I look upon numbers very much as being the language which tells out the doings of Nature. Mr. Keely begins with sounds, whose vibrations can be known and registered. I presume that the laws of ratio, position, duality, and continuity, all the laws which go to mould the plastic air by elastic bodies into the sweetness of music, as we find them operative in the low silence of oscillating pendulums, will also be found ruling and determining all in the high silence of interior vibrations which hold together or shake asunder the combinations which we call atoms and ultimate elements, but which may really be buildings of wondrous complexity occupying different ranges of place and purpose between the visible cosmos and Him who built and evermore buildeth all things. The same laws, though operating in different spheres, make the likenesses of things in motion greater than the differences. [Scientific Basis and Build of Music, page 87]
On harmonical parallel between tone and colour
—On the term of "rest," fifths, and the sympathy of music with life
—Relativities of sounds and vibrations of strings
—The doctrines of three pairs, six tones, and the law of "two and fro"
—The germ of the system probably to be found in the adaptability of numbers
—Sudden death of Dr. Gauntlett, . . . . . 48 [Harmonies of Tones and Colours, Table of Contents4 - Harmonies]
1872.—"It gives me great pleasure to write to you on this subject. Music deals more with the imaginative faculty than any other art or science, and possessing, as it does, the power of affecting life, and making great multitudes feel as one, may have more than ordinary sympathy with the laws you work upon. You say 'from E, root of B, the fountain key-note F, root of C, rises.' There is a singular analogy here in the relativities of sounds, as traced by comparing the numbers made together by vibrations of strings with the length of strings themselves, the one is the inverse or the counterchange of the other. The length of B and E are the counterchange of F and C, hence they are twin sounds in harmony." [Harmonies of Tones and Colours, Extracts from Dr. Gauntlett's Letters1, page 48]
A New Creed
A New Creed the book
Angular Momentum coupling
Law of Love
Law of Sympathetic Association
Law of Sympathetic Vibration
Love in Science and Physics
Part 10 - What Sympathy Is
play of sympathy
8.20 - Law of Sympathetic Oscillation
8.27 - Law of Sympathetic Oscillation
14.18 - Law of Sympathetic Association