2. It is also known that minute bubbles of carbon dioxide (carbonic acid gas) appear in good high-spring water, if the water is exposed to the influence of light and heat. If the water is again cooled under the exclusion of light, then the bubbles disappear. The crystal-clear water, however, tastes empty and insipid even when cool. Its former full-bodied wholesomeness has therefore vanished without trace. [The Energy Evolution - Harnessing Free Energy from Nature, The Liquefaction of Coal by Means of Cold Flows]
This product of synthesis is characterised by the fact that the ratio between oxygen and its carbone counterpart is 4% : 96%, because all the remaining oxygen has been transformed into fertilising substances and then bound. Therefore the new product of synthesis has the highest negative valency and is of geospheric character. Certain factors relating to these processes should be noted: In the scientific synthesising process heat has a shrivelling effect on the decisive formative substance in its nascent state, while physical pressure ruptures its outer envelope. In the case of coal liquefaction by means of cold flows the increasing cooling on the developmental path acts to increase the potential. However, since the increase in the potential of the true formative substance is of a purely energetic nature, it would be unable to break through the outer envelope had this not been mechanically abraded through the circumvolution and inner rotation (about itself and its own axis) caused by the increasing frictional pressure arising from the doubly increased velocity of the whole water-body. These differences demand the closest attention and consideration. The product of synthesis obtained by means of cold flows, binds itself into its own waste product (juvenile water). Therefore apart from a new, fresh and more highly cultured energy, an associated carrier-substance of the highest order is also created at the expense of the gradually transforming (internally reconstituted) stocks of old water. This two-fold transformation represents the increase and the qualitative improvement of what has been quantitatively increased (the growth of water). The finished product is a crystal-clear water that has neither taste, nor smell, nor colour, because in this product of synthesis all kinds of things are on the loose or have been loosed (emancipated), i.e. they have been raised to the [The Energy Evolution - Harnessing Free Energy from Nature, The Liquefaction of Coal by Means of Cold Flows]
Helmholtz falls into a mistake when he says- "The system of scales and modes, and all the network of harmony founded on them, do not seem to rest on any immutable laws of Nature, but are due to the aesthetical principle which is constantly subject to change, according to the progressive development of taste." It is true, indeed, that the ear is the last judge; but the ear is to judge something which it does not create, but simply judges. Nature is the maker of music in its scales and modes. The styles of composition may vary with successive generations, and in the different nations of men; but the scientific basis of music is another thing. It is a thing, belonging to the aesthetic element of our being and our environment; it is under the idea of the beautiful, rather than the idea of the useful or the just; but all these various aspects of our relation to creation have their laws which underlie whatever changes may be fashionable at any period in our practice. If the clang-farbe of a musical tone, that is, its quality or timbre, depends on the number and comparative strength of the partial tones or harmonics of which it is composed, and this is considered to be the great discovery of Helmholtz, it cannot be that the scales and modes are at the caprice of the fickle and varied taste of times and individuals, for these partials are under Nature's mathematical usages, and quite beyond any taste for man's to change. It is these very partials or harmonics brought fully into view as a system, and they lead us back and back till they have brought us to the great all-prevading law of gravitation; it is these very partials, which clothe as an audible halo every musical sound, which constitute the musical system of sounds. [Scientific Basis and Build of Music, page 78]
Christ Returns - Speaks His Truth
"I was shown the following vivid vision.
First of all, I saw a new-born babe as 'light', a life-form of 'Creative Power'.
As the baby grew into childhood, then manhood, I saw the pure LIGHT of the 'Creative Power' gradually dimmed and then obscured altogether in him, by a dense wrapping of chains and thongs.
I questioned the meaning of the vision and there came to my mind a clear understanding which may be expressed in the following words:
'From birth to death - people believe and insist that their five senses of sight, hearing, touch, smell and taste, correctly predicate the 'reality' of themselves and the universe around them.
Therefore, because they draw their mind power direct from Divine 'Creative Power', it is done to them according to their beliefs. [Christ Returns - Speaks His Truth, Letter 1, page 17]
senses are motion
Senses of Feeling