"Creation is the division of stillness." [Russell]
"The supreme effort of this book is to have you comprehend that Creation is a division of The Eternal One into countless twos of sex-conditioned opposites, which eternally seek to void their division by uniting as One.
"Creation is a Mind-imagined journey of electrically divided male and female opposites in increasingly greater speed and power in the direction of each other, where they unite in rest to re-divide, and return with ever increasing speed and decreasing power, to the zero of rest in the Magnetic Light of Mind from which they sprang into action. Creation is an illusion which stimulates substance by multiplying the speed of centripetal motion, and loses its appearance of substance by multiplying its centrifugal speed. If we prove this new state of facts to be in accord with Nature's plan, it will obviously be necessary to have very different concepts of the Nature of the universe than those concepts which are now held by man." [Atomic Suicide, page 83]
"Creation consists of the invisible universe of Mind, which Jesus called heaven and man calls space, and the visible universe of motion, which man calls matter and substance." [Atomic Suicide, page 235]
Now we come to a remarkable arrangement of Nature. The minor does not grow in the same way out of this third chord's top. Two features come before us: first the minor chord grows out of the major, but it is taken not from the top but from the middle, from a rib out of his side. B, the middle of the major dominant chord; B, the last-born of the major genesis; B is the point of departure in the outgrowth of the minor mode. The feminine is a lateral growth from the masculine. Another feature: it grows downward, like a drooping ash or willow. Its first generated chord is its dominant, and its last is its subdominant. Its middle chord, like the middle one of the major, is its tonic. Still further, it is generated by division, not multiplication; B45 is divided by 3 and by 5 for the root and middle of this highest chord, E and G. E15 is divided by 3 and 5 for the root and middle of the tonic chord, A and C. A5 is divided by 3 and 5 for the root and middle of the lowest chord, D and F. Thus we have the whole generation of the elements of music, six generations of harmony, like the six days of creation. Up to this point the whole process and aspect is inverse; growing from a middle; growing downward; growing by division;- while the major is growing from the top; growing upward; growing by multiplication. But here the inverse aspect ends. The generating primes of the major are 3 and 5; 3 and 5 are also the generating primes of the minor. In this essential phase of their creation their comparison is direct, not inverse. [Scientific Basis and Build of Music, page 67]
Powers of 2, 3 and 5
2
3
9 - 3^2
18 - 2^1 * 3^2
36 - 2^2 * 3^2
60 - 2^2 * 3^1 * 5^1
72 - 2^3 * 3^2
108 - 2^2 * 3^3
144 - 2^4 * 3^2
360 - 2^3 * 3^2 * 5^1
See Also
11.12 - Hidden Powers of Numbers
11.16 - Indig Numbers and the Power of the Powers of Two
power of five
Power of three
Scalar
Scalar Potential
Table 11.03 - Roots Powers of Two and Indig Numbers
three-halves power law
Three-phase electric power