"C. Hydrogen (H) and fluorine (F) being almost mates and in nearly same pressure zone, same plane and same orbit, will unite part for part.
D. Oxygen (0) or beryllium (Be) being one pressure zone removed and consequently of double potential, will require two parts of hydrogen to their one, and then only unite under pressure of higher temperature. Hydrogen and oxygen, thus united, become the very stable compound known as water and remain united because they are opposed in sex, while beryllium and hydrogen, being both male, will break away unless bound by oxygen, sulphur or some other female stabilizer.
E. Nitrogen or boron are two pressure zones removed and require three parts of hydrogen and higher pressure for union). Same rule of sex applies.
F. Carbon, three pressure zones removed and four times higher potential, demands four parts of hydrogen to remain in union with its one; also the high temperature pressure of the electric are is needed to induce union.
ELEMENTS OF INSTABILITY IN UNION INCREASE IN THEIR INSTABILITY AS THEY INCREASE THEIR VARIABILITY IN DIMENSION. ESPECIALLY IN PRESSURE, ORBIT, ECLIPTIC, CRYSTALLIZATION, PLANE AND SEX." [Indicating Tonal Mismating in Variable Instability - page 111]
DIMENSION CHART No. 7. STABILITY IS THE INACTIVITY OF A STATE OF EQUILIBRIUM. MOTION IS ACTIVE AND OPPOSED TO EQUILIBRIUM. ALL MOTION IS RELATIVELY UNSTABLE. STABILITY OF MATTER IN MOTION MAY ONLY BE SIMULATED BY THE UNION OF EXACTLY EQUAL AND OPPOSITE PLUS AND MINUS DIMENSIONS. [Energy Displacement]
is first generated through friction. This heat is immediately absorbed by the water and in the process a physical vacuum is created, which then gives rise to the emergence of inner-atomic rays. Due to the absorbed heat, the free, dissolved oxygen still present in the water becomes aggressive and the emergent geospheric rays become aggressive owing to the presence of the vacuum. Through the encounter between the mutually opposed, contra-directionally propagated, excited rays, the precondition for the marriage is created. The child of this union is organic, or cold light. [The Energy Evolution - Harnessing Free Energy from Nature, Letter to Werner Zimmermann]
With sudden cooling, carbones become highly aggressive. A marriage between the highly aggressive phos-elements and the equally aggressive C now takes place. The super-potentiated geospheric gas product evolving from this union binds the hydrogen through the emergent inner vacuum and rising rapidly, cools off and lands on an organic anode, whose upper section is extended into a cathode. [The Energy Evolution - Harnessing Free Energy from Nature, Letter to Werner Zimmermann]
The inequality of the equinoctial points is a well-known fact. It will be seen how apparent this is in the developments of harmonies. From the moment that trinities depart from unity, the balance is unequal, and the repeated endeavours after closer union cause a perpetual restlessness. May not this want of equilibrium be the life or motive power of the entire universe, with its continuous struggle after concord, even to oneness? "Closer and closer union is the soul of perfect harmony." In tracing harmonies of tones and colours, the double tones of keyed instruments will be seen to correspond with the intermediate tints and shades of colours. The twelve notes, scales, and chords in the major and minor series, the meetings by fifths, &c., all agree so exactly in their mode of development, that if a piece of music is written correctly in colours with the intermediate tints and shades, the experienced musician can, as a rule, detect errors more quickly and surely with the eye than the ear, and the correct eye, even of a non-musical person, may detect technical errors. Although the arithmetical relation has been most useful in gaining the laws, it is not here entered upon; but numbers equally meet all the intricacies both of tones and colours. The bass notes have been omitted, in order to simplify the scheme. [Harmonies of Tones and Colours, The Arabian System of Music, page 21]
combinations of dissonance, rests, sounding neither scale nor chords. Dissonance does not express opposition or separation, for there is no principle in musical tones which is productive of contraries; the dissonances follow the attraction of the tonic, or key-note, and the neutralization of the musical disturbance is implied in the disagreement in their motion with the repose of the unit, or key-note. So far is this from producing separation, that the apparent discord is simply a preparation for growth, the life of harmony causing an inherent tendency towards closer union. [Harmonies of Tones and Colours, Combinations of dissonance, rests, page 24]
The chords always agree in their harmonies, and thus the close union of all is seen. The corresponding harmonies of tones and colours are also shown. [Harmonies of Tones and Colours, Diagram XV - The Twelve Major and the Twelve Minor Keys, page 42a]
8.10 - Law of Couples
Angular Momentum coupling
coupled potential gradient