Mutually and reciprocally attractive, Love. Attracting to common center, ordering. Mutual attraction to void. Russell's Father Force and Keely's Negative Attraction. Also Life Force, affinity, harmony.
character of its own. And as Nature has constituted them, these various forces all converge to the Center of the Tonic Chord, and, with the exception of the interval of the octave itself, the notes of the tempered scale being a little nearer each other than the mathematically perfect notes, these converging forces and this tempering mutually assist each other, and give a greater decision to the resolution of chords. [Scientific Basis and Build of Music, page 36]
NOTE: (In Keely's jargon positive and negative are directly opposite to Russell's use of those same terms. To Keely positive = entropy and negative = syntropy. With Russell positive = syntropy and negative = entropy. Hence we would like to NOT USE either of the terms "positive" and "negative", instead use the terms "syntropy" (to center) and "entropy" (from center) to eliminate or at least reduce confusion.) The same holds true for the terms "male" and "female". See Figure 2.12.1 - Polarity or Duality for correspondences to these terms.
Sympathetic Positive Propulsion
Creativity as an Anti-entropic Principle
Figure 2.14 - Intermingled Male Father Syntropic and Female Mother Entropic
Figure 3.33 - Syntropy Seeking Center - Entropy Fleeing from Center
Figure 13.10 - Convergence of Syntropic Forces
Figure 13.13 - Gravity Syntropic and Radiative Entropic Waves
Law of Assimilation
Law of Attraction
1.11.5 - Syntropy a Sketch
2.19 - Male-Father and Female-Mother Forces
2.23 - Male-Father-Syntropic and Female-Mother-Entropic Swirling Cosmic Dance
14.32 - Law of Assimilation