Part 11 - SVP Music Model

Musicians usually study music theory, music principles and music laws as they apply to audible human hearing, listening, playing and enjoying music. SVP on the other hand uses music theory, music principles and music laws applied to machines, mechanics and matter and energy in all its various states and subdivision. In many of these SVP applications the sounds and vibrations used are not audible but inaudible.

11.01 - Introduction 11.02 - Attributes of the Scale of Infinite Ninths 11.03 - Development of the Scale of Infinite Ninths

11.04 - Nature Dances to a Natural Music Scale 11.05 - Something from Nothing 11.06 - Something from Idea and Will 11.07 - Idea plus Will plus Spirit - Manifestation 11.08 - Matter is an Effect of Will Force

11.09 - Matter is the Recording of Thinking 11.10 - Matter is the Recording of Sequential and Successive Steps of Polarized Thought

11.11 - Explanations of the Scale of Infinite Ninths 11.12 - Hidden Powers of Numbers 11.13 - Dominant Conditions are Mated Opposing Pairs as Fifths

11.14 - Indig Numbers (Fuller)

11.15 - Indig Numbers - Inert Gases and Octave Position 11.16 - Indig Numbers and the Power of the Powers of Two 11.17 - FOOT NOTES

11.18 - Keelys Dominant - Harmonic and Enharmonic 11.19 - Spirit is Dominant

11.20 - Scale of Infinite Ninths compared to Classic Scale

11.21 - Arithmetical Structure of Intervals

11.22 - Reciprocality of Dimensions and Music Intervals 11.23 - The Power of Two - Primes - Families and Differentiators

11.24 - Notes and Thoughts on Octave Structure 11.25 - Notes and Thoughts on Harmonic Scale of Ninths

11.26 - Definitions and notes useful in this section 11.27 - Origin of CsharpDbb note 11.28 - Ninths in the literature - Keely on Ninths 11.29 - Conventional or Standard Musical Ninths Intervals

11.30 - Russells Locked Potentials Numbers

11.31 - Egyptian Fractions and Measurements see Egyptian fraction expansion

See Also

01 - The origin of a Musical Sound 04 - On the Pitch of Musical Sounds 06 - On the Intensity or Loudness of Musical Sounds 1.21 - It Really Is a Musical Universe 11.04 - Nature Dances to a Natural Music Scale 19.03 - Philosophy of Transmission and Rotation of Musical Sphere 19.05 - Excerpts from original Articles about Keelys Globe Motor or Musical Sphere Etheric Liberator used with Atlin the Musical Dynasphere Fibonacci is Music Figure 1.12 - Naturally Occurring Frequencies Modes and Music Interval Relations Figure 13.15 - Equilibrium as Musical Tonal Equivalents Figure 14.01 - Overtones Developed Musically Showing Up as Isotopes along the Vertical Axis of this Chart Figure 4.17 - Musical Relationships of Colors Tones and Attributes HOW THE MUSICAL SPHERE ROTATES Interval Kepler Music of the Spheres Kepler Music Theory Laws of Music Music music note or sound colors Music of the Spheres music theory MUSICAL CHORDS Musical Dynasphere musical globe musical scale musical sphere Musical Triplet Octave Part 19 - Musical Dynasphere - Historical Part 20 - Musical Dynasphere - Current Research Part 26 - Science of Sound Vibration Acoustics and Music Periodic Table Set to Music PHILOSOPHY OF TRANSMISSION AND ROTATION OF MUSICAL SPHERE Symmetry in Music Tone

Created by Dale Pond. Last Modification: Thursday July 5, 2018 03:28:00 MDT by Dale Pond.