Schauberger
It is common knowledge that Galilei discovered this motion and because of it, suffered a veritable martyrdom. Up to now nobody has been able to explain why secular and religious science were so hugely disturbed by this discovery. Since then there has no longer been any doubt that the Earth rotates about its own axis. Why it does so, and what purpose is served by this peculiar inclined, gyrating motion, which oscillates to and fro along two different axes has so far never been explained.[5] [The Energy Evolution - Harnessing Free Energy from Nature, The Economy Founded on Reactively Produced Energy]
Hughes
"Harmony must be looked at in two ways at least: first, up the score from bottom to top—the perpendicular view; second, along the score from side to side—the horizontal view. Then as to its periods or pulsations—its to and fro, its flow and ebb. This brings us to rhythm and measure. At the bottom of these lie what is called stress or accent—emission and remission—strong and weak: of these the bar in modern music is an outward and visible sign of certain facts which ought to be in the music, but which, if not in the music, the presence of the bar is of no avail. The bar cannot give stress or accent. 'Wherever there is time, there must be accent;'* but the tick of a clock has no accent. Hullah (or Chorley) should have said life." "The semitone makes music. What operation has it upon the accent or to and fro? It creates the call, it supplies the answer." [This point, I believe, Dr. Gauntlett never alluded to with me, and I have feared that making no difference between tones and semitones might be considered a difficulty with regard to the scheme. In the working of the natural laws of harmony, they must all equally be employed.—F. J. H.] "Art (grand and true) does not depend upon the teaching of facts. The head is of less importance than the heart. Unless the tone of feeling, the habit and disposition, be well fixed, nothing enduring can come out of the misdirected artist." [Harmonies of Tones and Colours, Fragments from the Last Note-book, page 50]
As regards the tones from each note, the primaries rise from the left to the right, the secondaries from the right to the left. This, I believe, as true knowledge is discovered, will be found to be the "to and fro" throughout Nature. [Harmonies of Tones and Colours, On Keyed Instruments as considered Circular, page 56]
See Also