"On the one hand Keely talks about musical intervals - on the other hand he mixes in references to the orders of matter and energy, volume and divisions of chords. Which is which and when? To me, the above does NOT refer solely to musical chords. I've said this before. But instead represents a wider view of order, dynamics and structure. For instance if we view the nine strings of the CEG chord as three sets of three vibrating on 1, 2 and 3 octaves we get the possibility of the first third of the WHOLE NINE STRING CHORD being octave one, the second third being octave two and the third third as octave three of this nine string chord. The nine string chord is seen to be composed by thirds of the whole. These represent the molecular, atomic and etheric realms or levels of the matter and energy scheme being three major thirds of the whole of nature. Therefore the first third is the enharmonic (earthy earth; i.e.; terrestrial) the second represents the harmonic sixths (Russell's fulcrum?), and the third third represents the infinite ninths (celestial). Rotation is the result of a conflict between the first third (terrestrial) and the third third or ninths (celestial) as given above. I've included below quotes from Keely on his rotating sphere. If you've read Russell you will see DIRECT correlations between the two men expressing the SAME concept of rotation occuring in this manner - and ONLY in this manner. If you have not read Russell you may not see this. This being the case the CEG chord is the centralizing chord to the center while the BfDG chord is the dispersive chord - each chord representing the in and out FLOWING STREAMS to and from the center. Keep in mind the dynasphere represents a faithful micro/macrocosm of the universal forces. The 24 resonators, tuned to musical thirds, placed in eight triplets around the Ring of Resonation are coincident to each of the three-sided corners of the cube of celestial dispersion realm while the second ring of resonation inside the sphere are tuned to Bf keynote of the earth or spherizing element in nature." [Dale Pond See Dynasphere, clustered thirds]
Two nine string chords. What they sound like: http://www.svpvril.com/sharedfilefolder/Nine_Note_Chords.mp3
See Also
07 - Chart Showing the Conditions Governing Harmonious Chords
09 - Chart Defining the different Chord Associations
12 - Chart of Differentiation of Setting Chords on Vibratory Bar
antagonistic chord
Chord
chord aggregation
chord center
chord mass
chord media
Chord of B
chord of equation
chord of harmony
Chord of Life Windchime
Chord of Mass
chord of resonation
chord of sympathy
chord of the mass
chord-setting
clustered thirds
coincident chord
coincident chord of sympathy
coincident sympathetic chord
compound chord
Concordant Chord Settings
Concordant Chords of Sympathy
etheric chord
Factor-chord
Figure 1.1 - Chord Signatures of Brain Convolutions
Figure 15.05 - Nine Pairs of Gravity Poles
Figure 18.03 - Keely Chart Showing Acoustic Resonance of the Brain Chord
Figure 8.7 - Varying Degrees of Chordal Harmony and Discord
Full Harmonic Chord
harmonic attractive chord
harp string
life chord
Lost Chord
Mass Chord
MASS CHORDS
mass-chord
monochord
MUSICAL CHORDS
Nine
nine magnetic mirrors
nine octave harp
nine octaves of tones
nine zeros
ninety degrees
String Theory
sympathetic chord
Sympathetic Chord Molecular
Sympathetic Chord Positive
sympathetic string
terrestrial chord-masses
tetrachord
The Chord-Settings of Life
The Russell Nine Octave Chart of the Elements
THEORY OF THE INDUCTION OF SYMPATHETIC CHORDS TO EXCITE ROTATION BY VIBROPHONIC TRAJECTION TO AND FROM CENTERS OF NEUTRALITY ON REVOLVING GLOBE
This Three Dimensional Cube Universe of Nine
transmissive chord
We Now Build the Nine Equators of Cube-Sphere Wave-Fields
13.38 - Theory of the Induction of Sympathetic Chords to Excite Rotation by Vibraphonic Trajection to and from Centers of Neutrality on Revolving Globe
14.02 - Three Six and Nine - The Principles of Creation
14.13 - Full Harmonic Chord
19.02 - Theory of the Induction of Sympathetic Chords to Excite Rotation
6.10 - Nineness of Cubes
8.21 - Signature same as Chord