"In the laws of quantities and motions there are three primary ratios from which the **musical system of vibrations** is developed.

Pendulums, from the slowness and continuance of their motions, are well adapted to give an ocular demonstration of the relative motions of each of these three primary ratios when compared and combined with the unity and with each other. The numbers 2 and 4 express the first condition in the first ratio; as, in falling bodies, when the times are 2 the distances are 4. In the case of two pendulums, when the length of the one is one fourth part of the other the motions are 1:2; and when two is counted for the upper one, the oscillations of these two pendulums will meet at one. The numbers 3 and 9 express the first condition of the second ratio; as, in falling bodies, when the times are 3 the distances are 9. In the case of two pendulums, when the length of the one is the ninth part of the other, the motions are 1:3; and when three is counted for the upper one, the oscillations of these two pendulums will meet at one. The numbers 5 and 25 express the first condition in the third ratio; as, in falling bodies, when the times are 5 the distances are 25. In the case of two pendulums, when the length of the one is twenty-fifth part of the other, the motions are 1:5; and when five is counted for the upper one, the oscillations of these two pendulums will meet at one.

In the system of motions in pendulums, the three primary ratios indicated in the foregoing paragraph, namely, 2:4, 3:9, and 5:25, are compared and combined with three different units. In their comparison, 1 is the unit of quantities, that is lengths, and 1 is the unit of motions. The numbers 1/4, 1/9, and 1/25, when taken together with 1 as unity, express the first comparison and combination of quantities; and the numbers 2, 3, and 5, taken together with 1 as unity, express the first comparison and combination of motions." [Scientific Basis and Build of Music, page 15]

This plate sets forth the essential duality of the **musical system of vibrations**. It is a remarkable fact that the numbers of the vibrations of the major mode are the numbers for the string proportions of the minor mode; and vice versa, the string proportions in the major are the numbers of the vibrations in the minor. We have, however, to see that we use the proper notes and numbers; we must know the secret of Nature. This secret rests in the duality of the notes, and begins from the two D's. The center of gravity of the **musical system of vibrations** is found in the comma space between the |two D's as they are found in the genesis of the two modes. In these |two D's the vibration number and string proportions are nearly identical. Starting from this point as the center of gravity in the [Scientific Basis and Build of Music, page 118]

See Also

**Distance**
**Laws of Music**
**Musical System**
**Number**
**Period**
**Ratio**
**Time**