Hughes
Ascending, begin with A in the innermost circle, D being its root. The Key-note A becomes the root of E, E becomes the root of B, and so on. Descending, take the Key-note A in the outermost circle. D, the root of A, becomes the fifth lower Key-note, and G its root, and then G becomes the Key-note, and C its root. The same remarks concerning the writing of the meeting fifths, which are made below the corresponding diagram of the major gamut, apply to this one. [Harmonies of Tones and Colours, Diagram Shews the Modulating of the 12 Minor Keys, page 41e]
See Also
Diagram VII - The Modulating Gamut of the Twelve Keys1
Diagram VII - The Modulating Gamut of the Twelve Keys2
Diagram XIV - The Modulating Gamut of the Twelve Minor Keys by Fifths1
Diagram XIV - The Modulating Gamut of the Twelve Minor Keys by Fifths2
Diagram XIV - The Modulating Gamut of the Twelve Minor Keys by Fifths3
Figure 1.4 - Dynamical Full Gamut of Mind and Matter
Figure 1.5 - Expanded Gamut of Mind and Matter Chart
Figure 1.5 - Expanded Gamut of Mind and Matter Chart - See Also
Figure 1.5 - Full Dynamical Gamut of Mind and Matter
Figure 12.11 - Russells Locked Potential Full Ten Octave Gamut
Figure 7B.11 - Full Gamut of Mind to Matter and back to Mind
Gamut
major gamut
MODULATING GAMUT
natural gamut
range
The Minor Gamut Modulating in the Meeting of Fifths61