adjective: being three in one
Ramsay
Fig. 4 is a setting of the minor and the major chord-scales, showing how they stand linked by notes in common in their direct sequence from dominant minor to dominant major. To each of the six chords is placed the first chromatic chord, showing how it resolves in its three-fold manner by 1, 2, and 3 semitonic progressions in each mode, and by 1 and 2 notes in common variously in each mode; and here again the law of duality is seen in its always symmetrical adjustments. Duality, when once clearly and familiarly come into possession of musicians, will be sure to become an operative rule and test-agent in composition. [Scientific Basis and Build of Music, page 121]
See Also
16.24 - Triune Vibratory States or Conditions
8.25 - Triune Acoustic Forces
Figure 13.12 - Triune Polar Stream Characteristics
Figure 4.7 - Triple Planes and Polar Vectors of Motion
Figure 4.8 - Triple Polar Rotations In and Out
Figure 7.5 - Triune Composition of Dualities of Matter and Energy
Figure 7.6 - Keelys Triune Morphology
polar
Table 15.02 - Triune Polar Streams
triple compound vibratory force
Triple Point
Triple Polarization
tripolar
Triskelion
triune
triune differential sympathizer
triune electric flow
triune flow
triune force
Triune polar flow
triune polar flows
triune rays of Infinity
Triune States of Matter and Energy
triune streams
triune sympathetic celestial stream
Twenty-seven depolar triple groupings