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musical scale

"The lower diagram, marked C--C, represents their place in the tonal octave of the musical scale. The inert gas is the keynote of the electrical octave just as the note of C in the musical scale is the keynote for that octave. The keynote is omnipresent in all of the elements of matter as well as being omnipresent in the musical scale. By omnipresent we mean that it is in each note as well as its own tone. In music, for example, one is always conscious of

[p. 163]

Electric Current Cycle color version

Figure 42 - Electric Current Cycle. (scan courtesy of University of Science & Philosophy) (see Atomic Suicide, original black and white version) (click to enlarge)

[p. 164]

the presence of the keynote, no matter which one is being sounded, nor how many of them. [Atomic Suicide, page 162-164]


The seven tone Musical Scale is a formula of Cosmic Law which was worked out by the Ancient Esoteric Schools and applied to Music. The meaning of the notes is concealed in the names of the notes of the scale - Do, Re, Mi, Fa , Sol, La, Si, Do as follows : Do means Dominus; God as Creator; Re, means Regina Coeli, The Moon, Queen of Heaven; Mi means Microcosmic, The Earth; Fa means Fata- Planets, Fate , the spoken Word; Sol means The Sun; La means Lactea, The Milky Way; Si means Sider, the Star System. The Musical scale is like a Ladder - in fact the Latin word Scala means a Ladder. The Ancient Esoteric Schools understood it as the Order of all things and the Science of Harmonic Relationships of the Universe. Music rests on the Eternal Principles as expressed in Mathematical Laws. Taken downward the scale is a model for the descending levels of manifestation. In the C major scale the notes are given a certain meaning as follows: C represents the Absolute, B represents all Created Worlds; A represents our Galaxy the Milky Way; G represents our Solar System , the Sun; F represents the Planetary World; E represents The Earth; D represents the Moon; and C represents the Absolute. [source unknown]

See Also


04 - On the Pitch of Musical Sounds
05 - The Melodic Relations of the sounds of the Common Scale
electrical octave
Figure 1.8 - Electromagnetic Scale in Octaves
Figure 12.01 - Russells 4 Power Centered Scale
Figure 12.02 - 0 Inertia Centered Scale
Figure 12.03 - Scale Showing Relations of Light Color and Tones
Figure 13.15 - Equilibrium as Musical Tonal Equivalents
Figure 14.01 - Overtones Developed Musically Showing Up as Isotopes along the Vertical Axis of this Chart
Figure 4.17 - Musical Relationships of Colors Tones and Attributes
Figure 9.12 - Scale of Locked Potentials over Time
fundamental
inert gas
inertial plane
keynote
Major Scale
octave tonal scale
Scale
scale divisions
Scale of Locked Potentials
Scale of the Forces in Octaves
Table 11.05 - Comparison of Scale Structural Components and Relations
zero
1.21 - It Really Is a Musical Universe
12.01 - Scale of Locked Potentials

Created by Dale Pond. Last Modification: Tuesday June 25, 2019 02:45:25 MDT by dale.