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dominant chord

"By affinity the notes group in chords. The tonic is the center chord, the key of harmony; the dominant is the fifth above it and the subdominant the fifth below it, and these two are balanced on the center chord as the scales on a balance beam. The dominant chord is vigorous and active, tending to soar; the subdominant is solemn, soft, and grave, tending to sink; the tonic is melodious and restful, and in it the harmony of equilibrium. This far AFFINITY." [Scientific Basis and Build of Music, page 91]

"The dominant chord is the one in which is the maximum of levity and motion in music." [Scientific Basis and Build of Music, page 105]

See Also

07 - Chart Showing the Conditions Governing Harmonious Chords
09 - Chart Defining the different Chord Associations
antagonistic chord
Chord
chord aggregation
chord center
chord mass
chord media
Chord of B
chord of equation
chord of harmony
Chord of Life Windchime
Chord of Mass
chord of resonation
chord of sympathy
chord of the mass
chord-setting
coincident chord
coincident chord of sympathy
coincident sympathetic chord
compound chord
Concordant Chord Settings
Concordant Chords of Sympathy
Dominant
Dominant as Controller
Dominant Current
dominant etheric sixths
Dominant Order
etheric chord
etheric dominant
Factor-chord
Figure 1.1 - Chord Signatures of Brain Convolutions
Figure 14.05 - The Dominant is the Light of the Mind of Diety
Figure 18.03 - Keely Chart Showing Acoustic Resonance of the Brain Chord
Figure 8.7 - Varying Degrees of Chordal Harmony and Discord
Full Harmonic Chord
harmonic attractive chord
invisible universe is dominant
Law of the Dominant
life chord
Lost Chord
Mass Chord
MASS CHORDS
mass-chord
monochord
MUSICAL CHORDS
nine string chord
Predominantly Entropy
Predominantly Syntropy
Subdominant
Superdominant
sympathetic chord
Sympathetic Chord Molecular
Sympathetic Chord Positive
Table 14.04 - Occurrences of the term dominant in SVP Keely files
terrestrial chord-masses
tetrachord
The Chord-Settings of Life
THEORY OF THE INDUCTION OF SYMPATHETIC CHORDS TO EXCITE ROTATION BY VIBROPHONIC TRAJECTION TO AND FROM CENTERS OF NEUTRALITY ON REVOLVING GLOBE
transmissive chord
11.13 - Dominant Conditions are Mated Opposing Pairs as Fifths
11.18 - Keelys Dominant - Harmonic and Enharmonic
11.19 - Spirit is Dominant
12 - Chart of Differentiation of Setting Chords on Vibratory Bar
13.38 - Theory of the Induction of Sympathetic Chords to Excite Rotation by Vibraphonic Trajection to and from Centers of Neutrality on Revolving Globe
14.13 - Full Harmonic Chord
14.16 - Dominant
14.17 - Dominant is a Catalyst
14.19 - Dominant is Light
14.20 - Dominant is Light of Mind or Thought or Idea
14.22 - Dominant is the High Neutral
14.24 - Dominant causes Magnetism
14.25 - Dominant is Light of Electrical Spark
14.26 - Dominant is Light of Mind
14.27 - Mind being Dominant is Creative
15.23 - Water is Predominantly Diamagnetic
16.25 - Magnetic Attraction caused by Dominant Current of Electrical Stream
19.02 - Theory of the Induction of Sympathetic Chords to Excite Rotation
8.21 - Signature same as Chord
Page last modified on Tuesday 18 of September, 2018 04:37:18 MDT

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